Showing posts with label Tips Trick and Tales. Show all posts
Showing posts with label Tips Trick and Tales. Show all posts

Tuesday 30 June 2015

Writing a Marketing Plan for Camp NaNoWriMo

Writing non-fiction during NaNoWriMo is not easy. Not that writing fiction is, but the real world words tend to create problems all on their own. Yeah, you guessed right – I will be tackling a non-fiction project in July. Contrary to my previous journey into non-fiction NaNoWriMo (not to be confused with NaNonFiWriMo taking place in November), I am better prepared this time.
My project is planned properly. Refreshing my memory on what a marketing plan entails, went better than I thought it would. It’s been years, literally! The contents have been thoroughly thought out and the Table of Contents already structured (and restructured) and ready for those first words to be penned.
And they will be something like “Michael’s Mystery – a story about a man investigating the truth behind serial murders, only to discover a woman could be involved whose power could destroy the future of the universe.”
Maybe a bit overly dramatic, but hey, that is what a blurb is supposed to do, right? Although in this case perhaps not dramatic enough.
Speaking of drama, I have also been looking into what goes into the making of a book trailer. Interesting concepts have come to light, and I am excited about exploring the option of making a book trailer for Michael's Mystery.
While I have watched my share of video clips on YouTube, I have by no means explored the platform for promoting my books. I have some ideas and will keep you posted on how I plan to accomplish bringing one of my books to life.
Marketing anything, books especially, is no longer the advertising campaigns they used to be not so long ago. In some ways marketing has become more personal, and to my inexperienced mind, more exciting. There are more platforms to explore and more exciting ways of doing things. And not only social media platforms. I think sometimes people get saturated with the advertising, and buy-me buy-me posts on the various sites. It could be that we forget there are people on the other end of that internet connection. People want interaction with a person not an IP address.
With Camp NaNoWriMo starting tomorrow I plan to write a marketing plan for a book, as my project. Hopefully, I will not make the same mistakes as others have, yet still manage to put a plan on the table that would get people interested in the adventures, challenges and lives of the characters that live in my fantasy world.

Monday 22 June 2015

I am reading new words

I had the pleasure to indulge in reading some more of The Cat Who books the past few days. The fact that I should rather have been writing is a long story, which I won't bore you with.
As I was reading The Cat Who Went up the Creek, I came realise once again how rich the vocabulary of the author is. Words that I had to look up purely because they are not used some much anymore. Or perhaps not by people I know or come into contact with on a daily basis.
While I could look them up online, I went to my trusty Oxford Dictionary and Thesaurus first. I have to mention here that the book is on my desk within immediate reach, along with one or two other language references. To my surprise it did not have the first word on my list. Plan B. I went in search of my 1982 edition of the Oxford Concise Dictionary in our library at home. And not only was the first word in there, all the others were too. I do like to expand my vocabulary (English is my second language) but my next thought would be where I could use my new words.
In my fantasy series, The Nations of Peace, my characters have a more formal style of speech making it an opportunity to share at least some of my new words. In my daily life, I am sad to say it would make people think that I am stuck up or pretentious to use words that they have never heard of. Nor would they be able to find their meaning due to unfamiliarity with their spelling. There are exceptions of course, but still it saddens me that so few people of my personal acquaintance read books, printed or electronic. How are we ever going to evolve as a species if our level of literacy are limited to the incomprehensible characters on mobile phone messages? I have even seen that being done by authors on Facebook. That in itself is a deadly sin in my book.
My new words (thank you, Lilian Jackson Braun) are ailurophobe, badinage, rhinitis, nonagenarian, sylvan, sepulchral, Falernum, iambic and propitious.


If you come across a word in a book that you are not familiar with, do you look it up, or do you ignore it?

Saturday 13 June 2015

Guest Post: Writing’s not for Cissies by Richard Beynon

Writing is tough. In fact, I don’t know of any activity that is more difficult than writing. I know this is not so for every writer. There are some gifted individuals, as disparate as Joyce Carol Oates on the one hand, and Nora Roberts on the other, who write seemingly without effort, turning out vast numbers of books and, even more impressively, vast numbers of pages a day.
Nora Roberts is famous for publishing, on a quite routine basis, some ten novels a year. She is loved by her readers, and despised by the critics. Joyce Carol Oates, loved by both critics and readers, in her prime wrote forty five pages a day.
These are the outliers. Speaking for myself, and for many writers, both published and unpublished, I know that the process of developing story that is both rich and inevitable is just about as exhausting as anything can be.
And yet, we persist, because the personal rewards are so great – and the lure of professional, not to say, financial, success, as distant as it may sometimes seem, so enticing.
I’d like to dwell on one particular personal reward for a moment.
A curious phenomenon has been playing itself out in the US for some years now, which a couple of observers have started drawing attention to. On the one hand, talk therapy has been in decline for a decade or two. Woody Allen might, famously, have consulted a therapist five times a week for decades – but people like him are in a shrinking minority.
At the same time, writing schools, both academic and non-academic, writing retreats, short writing courses and online writing programmes have flourished as never before.
Everyone and her mother is writing a memoir, or thinking of writing a novel, or secretly has written not just a novel, but a trilogy!
Surely there’s a connection somewhere here? Less talk therapy, more writing. It’s merely a correlation at present, but I’m waiting for the research that shows a causal connection.
Because writing fiction is therapy, even if what we write is the airiest possible piece of romantic froth. To write it demands that we plumb our own experience, and our own feelings and, yes, even our own traumas. Romance in life is never trivial, although romance in fiction is so easily – and so wrongly – dismissed as meaningless nonsense.
Of course, that’s why writing’s difficult: because we have to drill deep to the emotions that drive the fiction. And that process of finding within ourselves the wellsprings of both joy and despair will always leave us wrung out.

Which doesn’t answer the conundrum posed by people like Roberts and Oates – but it does explain, to my satisfaction, why a morning’s brainstorm leaves me beached and panting for the rest of the day.

About the Author

Richard Beynon is an award-winning film and television scriptwriter with a long and accomplished career in the industry. He, together with novelist Jo-Anne Richards, run Allaboutwriting which teaches creative writing face to face in Johannesburg and Cape Town, as well as online – and mentors writers through the process of writing fiction, non-fiction and screenplays. Richard is currently cruising the canals of England, on his narrowboat Patience. Read about it here.

Monday 25 May 2015

Me, myself and I - my addiction to writing revealed

Linzé Brandon, author fantasy, adult fiction
Linzé Brandon
I am participating in the Writing Contest: How Writing Has Positively Influenced My Life. Hosted by Positive Writer

Writing often feels the same as getting those unwanted hair waxed, it hurts. Especially that first time. The pain is excruciating, and makes you wonder what the hell made you do it in the first place. Then you go back for the second time. It still hurts, but by now you expect the pain and yet you go back for the third, fourth and fifth time. By then the pain is not so bad anymore and you are fast becoming friends with your beauty therapist.
This is exactly what happened to me. I am talking about writing, the waxing part came later.
Fifteen years ago I wrote my first story. It was not great, but I finished it. Then I wrote another one and another. And by the end of the second year I had my first novel on my desk. I had no idea what to do next, except to keep writing. I tried my hand at the traditional publishing option, but the inevitable rejection followed.
If this sounded like the best time to give up, I probably would have, but by then I was hooked on the pain. Every excruciating word. I had to write. I. Had. To. Write. And I have not stopped since that fateful day in 2001.
Did I want to be writer growing up? The thought never even crossed my mind that I could become a writer. No one in my family has any job outside the usual doctor, lawyer and teacher options. Yeah, then I decided to study engineering. Not a writer, but definitely a first for the family. I started a trend. Every single cousin younger than I, barring two, went on to study engineering. Including my own brother. Some of them, like I, also married engineers. Must be that thing engineers are so good at that clinched it for me. (No, it's not the numbers) That alone should have told me that something was brewing. I loved being an engineer, then I became a specialist and added a second speciality. I went on to study for a masters degree in engineering management, not because I wanted to be a manager, but I wanted to start my own business. It finally hit me: I wanted to be my own boss.
Sometimes even us brainy types can be a bit slow when it comes to life decisions. I wanted to be my own boss. Fancy that. And I was my own boss for ten years. It was then that I started writing.
When self publishing became more widely accepted, I jumped on the bandwagon and got my first novel published, twelve years after I wrote it. What a high! It is that same feeling you get when smoothing your hand over that waxed skin, so soft and smooth. Skin unlike anything you have touched before. Worth the pain? Every time!
Twelve published fictional titles to my name - one more novel this year and two non-fiction books also in the making. My pain has become my addiction, my stress relief from the daily grind, my happy hour every day. And I write every day. Fiction, freelance articles, blog posts like this one, a book review or a technical article. Weekdays and weekends. At a cool word count of over one and a half million fictional words already behind me, I still get a delicious thrill when I get to that point in a story where I can type, the end.
Seeing my name in print...indescribable joy.

Do I want to be a writer when I grow up? Yes, please!

Can you live without your passion?

Thursday 21 May 2015

Linzé Interviews: Massimo Marino of the Book Garage

I welcome my Facebook friend, Massimo Marino to my blog today to chat about his new business.

Linzé: Why did you start the business?
Massimo: We started BookGarage because we are convinced that self-publishing is here to stay, but we also think that successful self-publishing is not a do-it-alone thing. Rather, it requires the collaboration of professional experts, just like any other business venture. We do think that any committed author—no matter of how good he or she is—needs assistance with things like editing, proofreading, cover design, marketing, and the like. With BookGarage we want to create a community of like-minded people and be the one-stop shop for everything related to professional self-publishing.

Linzé: With all the publishing companies already in existence, what makes BookGarage unique?
Massimo: First, and just to be clear, BookGarage is not a publishing house, meaning we don’t publish books. Nevertheless, one of the services we offer is assistance with publishing. So, if a self-publisher needs help with the publishing of his or her book on, say, Amazon Kindle or Apple iBooks, we will do that, and we can take care of the technical details to make the book available on major retailers.
Regarding competition, other companies offering publishing services focus on authors and freelancers. Our business model is built on interaction between not only authors and freelancers, but also readers. This is important because bringing readers into the equation is about discoverability. And that is one of the main challenges for any author, with thousands and thousands of new books being published every day. Additionally, readers are frustrated for the same reason: it is difficult to discover authors who approach self-publishing in a professional way, we think readers will be pleased to discover authors who work a lot—and, thinking of Hemingway, bleed on the keyboard—and books that are polished.
In this sense, too, we think of BookGarage as a community of like-minded people, having a common goal, producing and enjoying well written books.
There are other features, too, which make BookGarage unique. For instance, the way we approach crowdfunding. We will discuss this more in detail on BookGarage.com closer to the launch of that particular service.

Linzé: What services do you offer for the author?
Massimo: The services we offer to authors are:
Editing
Proofreading
Translation
File creation and conversion
ISBN
Book cover design
Blurb and synopsis writing
Design and management of author websites
Video trailer production
Aggregated distribution
Marketing
Crowdfunding

We have just posted our first article on professional self-publishing, and why a committed self-published author needs a team to turn a manuscript into a book.

Linzé: How can an interested author get hold of you?
Massimo: An interested author can get hold of us via our website www.bookgarage.com, can register to our newsletter, and contact us directly via email. We are also reachable on our social media pages, i.e. Facebook, Twitter, Google+ and LinkedIn.

Linzé: Thank you Massimo. My fellow authors it looks like the Book Garage might indeed be the one stop service you have been waiting for. Take a look at their website and share the news on your social media timelines.

Saturday 16 May 2015

Research Comes in Two Flavours: Reblogged from an email by Richard Benyon

full dark house, christopher fowler
The kind of research that writers do preparatory to writing their novels comes in two flavours. 
On the bottom shelf, in the pale pink bottle, there’s the sort of research you do in order to get the elements of your story right. 
You’re writing a police procedural? Well, then, for goodness sake find out what the relevant police procedure is. 
Writing a medical thriller involving illegal organ harvesting? Then attend a kidney transplant to get the pictures of the surgery firmly fixed in your mind. (And if every surgeon in the country turns down your requests to attend such an operation, then look online until you find what you’re after. It’s all there, believe me!) 
But there’s a different kind of research. It comes in the emerald blue bottle on one of the upper shelves. It’s not the solution to a problem – but the inspiration for story. 
At the Oxford Literary Festival, the thriller writer Christopher Fowler talked about a novel he was writing set in London during the blitz. He’d read all the usual books on conditions in the city at the time, he’d watched documentaries, he’d done his homework. 
But then he remembered that his mother had herself lived through the Blitz. 
“She’d worked,” he said, “as a legal secretary in The Strand.” He wondered what she remembered about the period. 
“Oh,” she said, “I remember the telephone directories.” The telephone directories? What telephone directories? “Well,” she said, “when shop windows were blown out, they filled them with sandbags – but when they ran out of sandbags, they used old telephone directories to fill the windows. Used directories.” 
Now that, Fowler said, is not something that you’d ever find in histories of the time, or online. It’s a detail that could only have been reported by someone who’d been on the spot. And it was a detail that, he said, he used to great good effect in his novel. 
So when you need the sort of textural detail that simply brings a story alive, don’t rely only on the “official” history – seek out someone who was there (if that’s possible), and ask them what they remember, what struck them with particular force about the event they witnessed. 
This goes for more than specific incidents. You’re writing a story that involves a horrific motor-car accident? Well, then, go talk to a tow-truck driver, or a paramedic, who’s attended more horrific motor-car accidents than you’ve had hot dinners. 
Ask him to tell you about what he looks for when he arrives at the scene of an accident. Ask him for details of the sorts of things that he’s seen thrown clear of the colliding motor-cars. Ask him what he most fears as he’s racing to the scene, and what he most hopes for. 
And then allow these impressions to guide you as you develop story around the fictional accident in your novel.

Note from Linzé: The post was reblogged with permission. Keep a look out for another post from Richard coming in June.

Thursday 23 April 2015

Lesson I learned from wearing an activity monitor

Garmin vivofit, Garmin app
Yeah, it is a picture of the Garmin Vivofit, my husband gave me for our anniversary earlier this year. Nope, I was not upset (well, I was but that was because I couldn't get the damn thing to talk to my iPad, but that is a long story) as I had been using a similar app on my mobile phone since I got my Samsung S5.
Problem with the phone app
The trouble with the mobile phone app was that it only recorded information while I was carrying it around with me. Being of the female persuasion, I do wear a skirt or a dress upon occasion, and then my phone might be laying on my desk while I walked around at work. Sure, when I wear jeans, it fits nicely in my pocket and away it went recording its little butt of. I like the bigger phone, but there is no way I am going to wear it around my neck. So pocket, or hand it had to be.
But with this band, I could now carry the monitor all the time and literally everywhere, even to bed. And that is where I got the most valuable information, my sleeping patterns.
That thing about sleeping
While the Garmin app allows you to program your sleeping times, it also detects it automatically from you activity levels. If I decide to take a nap in the middle of the day, I just push the button to tell it that I am sleeping, then it records it as such.
Now to the iPad. The app synchronises the monitor with a profile you create with your personal details such as sleep time, and your goal for the number of steps everyday. Thank goodness for the iPad's pin code thing, because I am not particularly in favour of someone finding out how much I weigh. Yep, state secret that thing!
As I mentioned my sleeping patterns provided a lot of insight.
With a blood sugar issue, I have been known to visit the bathroom at least twice every night, unless I drink a lot of coffee before bedtime, then that number could be higher.
Since I would be relatively awake for that activity, I can see that on the records from the monitor. So lots of coffee = bathroom visits at night = medium level of activity.
If I get to bed at my normal time, don't drink litres of coffee, and wasn't doing jumping Jacks before I got into bed, my sleeping pattern would be much the same. No activity interspersed with low level activity which I have to assume was when I was dreaming, or my husband turned over and the mattress moved a little.
What I did notice was that on good days, I would sleep exactly 5 hours and 45 minutes. Okay, it might vary with a minute or two, but that was it.
I learned something about me!
This past weekend, I slept in, and what a damn mistake that turned out to be. I am not a morning person, but I had realised a few years ago that if I sleep beyond a certain time, I would be in really bad mood for hours after waking up. It later dawned on me that it was not the time of waking up that was the problem, but the number of hours I slept.
This past Saturday, I put in 7 hours and 35 minutes. What a mistake not to set that alarm clock! I felt miserable, and I am sure my husband was glad that he had other obligations that kept him from home until lunch time. I turned back from witch to wife after lunch. Trust me, it wasn't the food, since a good breakfast had made no difference to my nasty disposition.

So I learned that not only was my writing time an important part of my schedule everyday, keeping to my sleeping routine turned out to be the best thing I could possibly do for myself.

Saturday 11 April 2015

Lesson Learned - from The Bride, Prejudice and the Red October

Why list this post as writing advice? Because I learned a valuable lesson this past Easter weekend. The lesson was an important one, but it took me two days of procrastination and time wasting to realise what an idiot I had been.

The backstory :) 
I was home alone. My husband, Francois, was away on a photographic excursion with some friends, and I thought here was my chance to write the 15 000 words I needed to get ahead in Camp NaNoWriMo for the week ahead. I do some freelance work and since they are deadline driven, I thought two birds with one stone! I get ahead while I have no other person's needs to worry about, and then I could focus on the freelance work and get those articles done on time. Yeah, right. My good intentions didn't go as planned.
I have my own office at home, and use an old computer (and I mean, really old) to play DVDs while I am writing. They are pure background noise, since I know the stories backwards! This computer is on a desk to my right, so I can only hear the soundtrack. If I want to watch, I have to move my chair 90 degrees, and then I cannot write.

The lesson :(
This past weekend, being alone and all, I relocated my writing laptop, my DVDs with my writing notes and pen, and coffee mug to the living room. I put on a DVD, the sound of the television is so much better than a computer after all, and settled in to write.
And then I didn't. I might write about a hundred words, but then I had to get up and walk around or make a cup of coffee or play with one of the dogs. I never seemed to be able to get going. It was a little better at night, but not much. For some silly reason I did this exact same thing for two days.
Then it hit me like fist to the forehead - I might have watched these movies to the point that I could actually recite the dialogue, of each character, and in order - it was the visuals that kept distracting me. What an idiot!
I relocated to my office, put the DVD in the drive of my old computer, let it play and wrote about 8000 words in one day.
I didn't make my 15 000 word count target for the weekend, but I learned a valuable lesson: I can tune out music and dialogue from the soundtracks to write, but I cannot tune out the visuals of these stories.
I am still ahead of my word count target, and have started working on the freelance articles, but now I have to juggle my available time with better planning and management.

Just goes to show you - even an old dog like me, can learn a new trick!

Saturday 28 March 2015

Planning for Pantsers - Visual Tools

I have always liked using Pinterest as a means to create storyboards for my book projects. Not only does it give me a great excuse to play around on Pinterest for hours, it also gives me inspiration for characters, scenes and sometimes even a story idea. But my boards are not real storyboards, they are just images of nature, people, art and some other interesting things that I came across the website of the social media giant.
As a sometimes visual artist - I love to paint and draw - the visual aspects of the images contribute quite a lot to my "seeing" my stories unfold.
visual story, storyboard, writer tool
Storyboard of a snippet from the novel
Until a few days ago, when I found actual storyboard software. Of course, the software has been around for a a long time, since cartoonists, writers of graphic novels, animators and many other visual artists have been using it for years. Only took me a few of those years to finally get it.
I registered immediately for a free option account to try it out. Hours later (not saying how many) I had my whole novel outlined as a storyboard. Since I started out playing, I stuck to doing the essence of each chapter, but there is scope to do every scene too. There are several options on how the look of the storyboard should be, but those are for paying customers only. The price isn't bad either, and they don't mind if you subscribe for a month, do your thing and then unsubscribe again, only to do it again some time later. Sounds like the ideal tool for a writer. Do the planning in the beginning of the process, and then write and edit until the project is done. When you're ready you can start again with a new subscription as you need it.
Even with only the free option, there are many little characters and scenes and add-ons to make the storyboard truly your own.
With my novel for April Camp NaNoWriMo properly planned, storyboarded and ready to write, I will test the storyboard idea to see if it helps when I write the words.

Here is the link to the website I used.

Saturday 7 March 2015

Planning for Pantsers - Characters

fictional characters, character sketches
Even if you are a pantser (a write-by-the-seat-of-your-pants writer), it is advisable to do some planning before you start a new story. It helps you to get to know your characters. You don't have to do it for every single character in your story. Minor characters, or characters not referred to by name, for example the waiter, or the postman, need not be developed.
It is the main characters that you need to create, to flesh out, to make them real to your reader. You can only make a character real, if you know him or her from the inside out.

A simple list:
1. Physical characteristics - these define his or her eyes, colour, hair colour, height, weight, skin tone, shoe size, scars, lips, nose, chin, jaw line, shoulders, limp, etc. A list will suffice that you can refer to if needed. This list will help to prevent you from changing the hero from a muscular blond hunk, to a bulky carrot top with a weak chin.

2. Choices they had made - people are defined by their behaviour and that includes their choices made or not. The same applies to your character. Choices such as career, car, house, location, country even. These can include marital status, social behaviour (is he a player? is she stuck up around men?) and so on. Write these down for the present and the past, since they will help shape the choices your character makes for the future.

3. Relationships - we are as much part of our relationships as our characters need to be. Best friend, ex-boyfriend, lover, wife, child, parent, colleagues, other friends, enemies, acquaintances, and the stranger that almost knocks her over on the street. All our interactions define us, and we need to focus on the most important ones to shape our characters.

You can add more information, or as much detail as you like, but having characters that are alive in your mind, will come to life in words. Your reader will want to know them, cheer for them or cry with their disappointments and be happy when they achieve their goals.

How much time do you spend making your characters come to life?

Saturday 28 February 2015

My editing tips (as a non-editor) - Part 3

This week my tips are three unusual things you can to do to help you edit your own writing:
  1. Everyone will tell you to hide your first draft in a drawer for at least 4 weeks before tackling the editing. Yep, you should that. It gives your brain a chance to forget what you have written, so you can start the editing with fresh eyes.
  2. Start from the back. Now this tip made me giggle when I heard about it the first time. If you think about it, it does make sense. Start editing at the last paragraph will keep your mind focused on the words written, not the story line. This is a helpful hint for copy editing – finding grammar, spelling and language errors.
  3. Rewrite your story in pictures. Stick figures or little blocks will do the job, if you cannot draw people. This tip helps your editing effort to spot gaps in your plot and timeline. Add cryptic notes, on the actions/activities your characters are involved in.

    Draw a line underneath the block/figures and make notes on the timeline through the story. If you are using flashbacks in time (although not recommended) make sure that your reader knows where the shift is and who the POV character is for the flashback. The same applies for flash-forward scenes.
Lastly, draw an emotional/action line above your storyline.  Indicate the intensity/highs and lows of the storyline. Are the lows too long? Is the action interspersed with less intense activities? Is the emotional roller coaster of your protagonist balanced with highs, lows and normal activity?
Do it by scene or chapter – it will depend on the type of story you are writing. See the example below for a high action scene.
editing tips. editing for writers
Do you have any unusual tips for editing that works for you? Why not share it in the comments, it might just be the tip someone is looking for.

Saturday 7 February 2015

My editing tips (as a non-editor) - Part 2

I don’t have any formal typing training, so whatever speed I achieve depends greatly on my mood and the phase of the moon, i.e. there isn’t any to speak of.
Accuracy sucks and I hate those wiggly red lines my word processor uses to show me that a word has been misspelled.

With the spellchecker deactivated while I am writing, the chances of errors are huge to say nothing of all the other mistakes I make. So here are my 3 tips for editing this week:
  1. Run a spellchecker - especially if you are an editorial/typing idiot like me. I write in UK/SA English and thus consistent use of the “s" versus the “z" in many words are paramount. Check that your spellchecker use the same version of English throughout the document.
  2. Be careful when you use regional slang words that might be confusing or not directly clear from the context of the scene. In South Africa we use words such as “eish” and “ama-zing” that may not be the familiar or in the same context as it is meant to be used. I try to avoid those in my writing. If you use such words, make sure the context is such that the reader can deduce the meaning, or intention behind it.
  3. Incorrect words for the context may not be detected by a spellchecker. Words such as “life” for “live” or “from” instead of “form”. Even recently I spotted mistakes like these in a book, clearly overlooked by the author and the editor. It does not need to happen. I keep a list of these words that I perpetually mistype. Want a few examples? fro, form, fir, than, sate, desert, etc.
    When I finish the first draft of my book, I run a search for all the words in my list. Of course sometimes the context is correct. Then there is the 99% of the time where it is wrong. I can fix those without making my editor roll her eyes at me.
You can do all of these too. It saves time so your editor will spend his/her time on the important parts, and not fixing these mistakes that you can easily correct yourself.

Tuesday 3 February 2015

Tai chi - an unplanned surprise

A few days after I fell and tore ligaments in my left foot and ankle, I decided to try doing my tai chi practice. I can just see the surprise on your face. Yeah, I thought I was crazy for trying too.
It has become part of my routine, so I missed my twice daily tai chi sessions. So with careful consideration, my ankle brace properly strapped on, I went for it.
Tai chi is not a routine to be rushed, which I appreciated more than ever at this attempt. Opening stance, opening movement. Check.
Second, third, fourth movements. Check. Okay, it wasn’t that easy, but if I kept my head, there was little to no pain. I made a slight adjustment to my stance, keeping a more upright posture and using a shorter step out (the bow step) to limit bending of my foot even in the forward position.
It doesn’t feel natural, so when my injury is healed, reverting back to the more extended movement, will not be a problem.
Since I feel comfortable with the routine so far, ankle injury notwithstanding, I decided to keep to my schedule and proceed towards studying the sixth movement in the course.
The typical healing period for this type of injury is about 6 to 8 weeks. Unless the subsequent tai chi movements will strain my injury, I will keep to my planning. If there is stress on my ankle, I will keep practicing the routing as I have learnt it up to that point, and delay adding the next movement until my body is ready.
In the meantime I wish you health, harmony and happiness!

Saturday 31 January 2015

My editing tips (as a non-editor) - Part 1

Source: Dreamstime.com
I might have mentioned a time or six, that editing is not my strongest skill when it comes to writing. It still means that I have to edit my work, before sending it off to a professional for that final touch. So what do I do, since I don’t know what I am doing?

Over the years I have learned a few things about editing in general, but also about things that work for me as I start preparing a manuscript for publication. Here are the first 5 tips that work for me:
  1. I print the manuscript on paper. Being sensitive about environmental issues, I print the manuscript, two pages per page and double sided – thereby reducing the amount of paper used by 75%.
  2. It is an established fact that we retain more information from reading on paper than a computer screen – hence the print. After printing, I read it beginning to end, no editing, with the exception of spelling or obvious grammar mistakes.
  3. I used a set of fine markers – all colours – to tackle this editing phase. Small things like missing or incorrect punctuation marks, red pen. Editing text, or adding more words – colour of the day. This also helps me to keep track to see if I am on schedule. If I plan to publish a book, say the 21st of April, I need to plan my own editing to be finished by 24 March. This will give my editor enough time to apply her red pen, and myself enough time to work through those editorial gems for updating my work.
    Note:
     Allow yourself enough time for this process. There is nothing more frustrating to a reader, waiting in anticipation for your next book, to be told that you have extended the publication date.
  4. I edit with a notebook next to me. Despite my good intentions, it takes me about two years to write a novel. This means that there are some things that I forgot, or that was not quite sorted out while I wrote the first draft. (Reminder: while I plan some aspects of my books, I am a pantser at heart). Therefore the notebook. Place names, detail descriptions of the setting, that sort of thing. My notes help with consistency throughout the story.
    Note: 
    In Michael’s Mystery, the people of Kryane live in a desert and I had to be super careful with descriptions on how they dressed and how they lived. Strappy dresses and flip-flops won’t work.
  5. Titles and other forms of address sometimes give me headaches. Using capital letters or not for titles, and references to deities, God and royalty becomes part of this process. Consistency again, and sensitivity to context especially when it comes to religion, is one of those notebook entries of mine.
    Note:
     In Michael’s Mystery, the High Lords and other magicians are addressed as lord this or lady that. Writing the first draft I don’t worry about capitalisation of titles or not, but during editing, definitely.

Saturday 24 January 2015

Planning to Write - blog posts, articles, fiction...at the same time

As I wrangled with my morning pages, I came to realise that my writing is not efficient. I have a long list of things to do - blog posts,  freelance work, short stories, editing, non-fiction books - and yet I cannot seem to be as productive as I want to be.
I love writing, not only fiction, but prioritising doesn't seem to be working. Or maybe it is not enough to prioritise my non-fiction above editing my third novel.
I know which projects need to be completed first, deadlines are looming, and yet I am spending my time in such a way that progress on each of these projects is not what it should be at this stage.
I have an allocated writing time - check.
I know what to write, no writers block issues - check.
What I need is to get better organised about which project to work on at what time.
So here I went and put some thought into the details. I am not going to bore you with my reasoning, but I believe it can work.
I have came up with this plan this past weekend, and will try it out for a week or three and adjust it if necessary.
My freelance writing (marked as SEO in the plan) depends on my deliverables for the week or month, so on that I might need to be more flexible. The same applies to weekend writing. If the opportunity arises there will be more time available to write and I will then be able to work on a project that has me inspired at that time.
I don't rely on a muse to write, but it has been known to happen and then I can do whatever is absolutely pressing on my mind.
Do you have any advice to help me out? How do you manage to work on multiple projects at the same time and still manage to meet your deadlines?

Saturday 17 January 2015

Staying in the Game - Part 3: Recognition

The writer of the original post states that we as writers need the recognition from others to be seen as writers. It got me wondering why. Why do creative people - writers, visual artists, musicians, etc - need to be recognised as such, whereas other people in other professions do not?


I got my engineering degree and no one doubted my engineering abilities. I did not need to be recognised as an engineer to believe that I am one. All the years of studying definitely got that imprinted into my brain.

Sure, not every creative person has a formal qualification in the arts, but many do, so why the need to be recognised as such? Are we still dealing with a society that thinks that being a writer, a painter or a musician is not good enough? Or are we our own worst enemy?
Do I, Linzé Brandon, believe that I am a writer, an artist? For a while I confused recognition with validation, but no longer.
When you look in the mirror, do you point a finger to your own image and say: you are a writer (recognition) and, at the same time, I write because I want to and it doesn't matter what anyone else thinks (validation)?


Being a trained engineer (now project manager) and a writer, this irony of being one but not the other still baffles me. Even the other day someone said that it was a nice hobby - writing books.
I didn't take exception, because I know this person meant it as a compliment of sorts. This is not always the case, and those words do not always come out as admiration of a creative talent. Sometimes people do look down their noses when I tell them that I am a writer.

Although I have been writing for almost fourteen years, published since 2011, it is only recently that I sorted out this problem for myself - I am a writer.
For many though the question remains: am I writer because I think I am, or am I a writer because others say I am? What do you think?

Thursday 15 January 2015

Handwriting and its history - a post about a book, and me

Every once in a while I find a book in a shop that catches my eye and I just have to read it. There is no rhyme or reason for it, in fact it wasn't even the cover that got my attention. If you have browsed around on my blog you would have noticed the series I wrote on the history of the Kama Sutra, based on a book I found on that topic.
Well this time around it was a topic more intriguing, only because of the fact that we don't think about it, or maybe you have, but I certainly have not. The history of handwriting may not feature in the school curriculum (at least not in this country) but it got my attention.
Amazon ebook
When I thought about this post, I originally intended to write it by hand, on good paper with a fountain pen (yes, I have a few of those) with the intention to scan the result and post the resulting graphic as the post to this blog.
Make no mistake, I won't win any handwriting competitions, but it is not bad either, especially when writing with a heavy fountain pen. I prefer a heavy pen and Francois bought me a Waterman stainless steel pen a few years ago for my birthday. Being a lovely gift aside, it is still my heaviest and favourite pen.
So why didn't I write the post by hand? The answer is simple: size of the file. I would have had to scan the file at a high resolution to ensure legibility of the text, because the graphic would invariably have to be resized (made smaller) to fit the blog's usable space. Not using a high resolution graphic would have made the text fuzzy and more difficult to read.
So instead of straining your eyes, and your patience with a post that takes forever to load, I will limit my forays into handwritten blog posts to a greeting.
It took me a while to read this book, because it is a mix of fact, historical and modern, interviews and personal commentaries by the author. Sometimes it took me a reread of a paragraph or two, to keep up with the narrative. (That's just me, not the author's fault)
When I started reading it, I had a look at my own handwriting. Not a difficult thing, since I keep a handwritten journal and still have the last four years' journals at my disposal. (Why only four is a story for another day.)
My handwriting changed and yet it did not. I write differently with a ballpoint pen than a fountain pen. The same applies to italic nibbed pens, or gel pens or whatever different writing instrument technologies I have in my arsenal. (Confession: I am a pen collector, and I estimate at least one of every type of pen under the sun feature in my collection)
I prefer a fine or needle tipped pen, but the feel of the shaft in my hand is just as important.
I don't know if graphologists (people who study your personality from your handwriting) would be able to find all my flaws in the different ways that I pen a word, then again cute, fluffy and served with a pink bow, is not me either.
Will handwritten words disappear, as the keyboard takes more and more of our words into the world?
I don't know, but if the scientists are right, learning to write by hand and keeping up the practice, has more benefits that just being able to read and write. As immersed as we have become in our modern smart and small devices, studies have shown that our data retention from reading from a screen, is much less than reading from paper.

If this is true for the general population, myself included, how much do we stand to loose if we stop writing by hand?


Saturday 10 January 2015

Staying in the Game - Part 2: Stamina

Stamina to my mind is something that professional athletes aspire to, especially those of the marathon and ultra-marathon persuasion. Come to think of it, anyone doing ultra-anything, probably has the have the stamina of a lion in mating season. Yeah, they go at it for days at a time - and without food!
Mating lions in the Chobe (c) Linzé Brandon
So where does it leave the writer?
Should we start getting fit to write for hours and hours at a time? Writing is an intellectual exercise and hours and hours of anything intellectual is bound to be crap because we are not built for effectiveness, productivity and concentration for hours at a time.
So I guess the answer isn't that. But it is time dependent for sure. We have to persevere. We are in this for the long haul after all.
Writing everyday to form the habit, but not just for ten or fifteen or thirty days. We have to do this...forever. If you want to be a writer, this is a lifetime commitment. Of course, when the first book is done, it's done. You move on to the next project: research, planning, writing, editing, until its done, and then on to the next.


Before indie publishing became a viable option with better quality end results, traditional publishing was the only way and many, many writers gave up because of that horrible thing called a rejection letter. And yet many didn't give up. They kept on going. Writing, submitting query letters and manuscripts, until they found a publisher.
They had the stamina to keep going, because they did not see the end in the rejection letter. They dug deep to keep going, no matter how many letters, no matter how long it took. And when it happened, they started on the next book.
Writing is a ultra-marathon with no winners post, only milestones along the way. Set your milestones (eg. write a novel or two every year) and your stamina will grow. We practice to hone our skills, so we must practice to grow our stamina, mental and physical, to keep writing.
Publishing isn't the end, it is merely a milestone on that ultra-marathon journey of being a writer.
So we apply the discipline we need to write everyday, to reach the milestones we set for ourselves, to gain the stamina to keep going.

On a personal note: I have had my share of rejection letters. At the time I had no idea what I was doing, and either ignorance or arrogance kept me going, because this was what I wanted to do.

In 2015 I am going to publish my third novel and two non-fiction books - my next three milestones on my journey as a writer.

Have you set your milestones on your writing journey yet?


Saturday 3 January 2015

Staying in the Game - Part 1: Discipline

I recently read an article written by an author and writing teacher on the things that a writer needs to ‘stay in the game’, as he put it. Since I have been in ‘the game’ for a while, and would like to stay, I paid attention.
He mentioned three things that a writer needs: discipline, stamina and recognition.
I am sure these words are just as familiar as to you as they are to me, but what do they truly mean for a writer? Google is my friend, so there I went.


Discipline often has a very negative connotation attached to it, and yet it is the very essence of the positive in people. Order, patterns and self-control are not only the tools of a writer, but the tools of a well-balanced individual.
Write everyday. Advice we hear from everywhere and anyone when asked. How do we establish that order, pattern and self-control? Is it difficult to establish this pattern of behaviour?
When we start out as writers, or bloggers, it is with all the good intentions of a new year’s resolution. Yes! This is the year that I will write that novel, or start a blog, or write my memoir. But good intentions alone seldom produce the results we desire. For all my good intentions, I still haven’t managed to loose the weight I have to. Sound familiar?
So what is the answer: you need an action plan. Something that will help you to write the book, or establish that blog.
Ask yourself a few questions:
1.      What do I want to accomplish with this project?
2.     When does it need to be finished? Or in the case of a blog, how often do I want to post?
3.     Am I committed to putting in the time and effort to do it?
4.     Am I a morning person or a night owl?
5.     Where can I make some space for my writing?
6.     How am I going to keep myself accountable?
7.      What support network is available to help me?
Here is what works for me:
1.      When I started to write, I wanted to write romance stories and publish them. I ended up writing fiction in several genres - short stories, flash fiction and novels - as well as two non-fiction books to be published in 2015. It didn’t happen overnight. Decide what you want to write and start there, finish the project and then move on to the next one.
2.     I set a deadline for each project. One novel per year. A short story takes about two months from start to publication. Flash fiction – one week per story. Since there is no one watching over my shoulder, keeping to these deadlines are not easy. If you want to be a blogger, the next date is your deadline. Posting twice a week – there you go, your deadline is set. How often you post is up to you, but to have a successful blog you need to be consistent and post on schedule, your readers and followers expect it.
3.     When I started to write, I did it for my own pleasure, in fact I still do. Since I work as project manager full time, writing is my escape from the stress that defines my working hours. need to write. In the beginning that hadn’t been the case, until I realised how much I liked it, and how much pleasure I got from finishing and publishing a story.
4.     I am a night owl, although I get up very early in the morning, thanks to being married to a morning person. My husband works in another city, so to reduce his stress of battling traffic, he leaves home just after 5am. As a result I am early at work too. This early time gives me the opportunity to do a lot of things before my daily schedule of meetings kicks in. One thing I learned very early in my working life, is to leave work at the office. And it is this exact mind-set that helps me to write at night, even after a long day. After dinner, making lunch boxes for the next day, taking a shower and checking my email, I sit down and write for two hours before bed. Every day, including weekends.
5.     I have an office at home where I do my writing. My husband is an engineer, but he takes his photography very serious – so he has a studio at home where he can hide away to do his thing. I also like to write at a coffee shop, especially over weekends to get away from the distractions at home. It is a quiet place, and the staff and owners (knowing me and my habit) will leave me alone for hours at a time. There aren’t many such places, so I not only support them, but refer as many people as I can to them. They serve the best coffee!
6.     Being accountable is difficult and to help myself, I started a writers’ group in 2011. We meet once a month at the coffee shop I mentioned before. We support each others efforts, and even published a short story anthology in 2014. It was hard work, but all worth the effort to hold that beautiful book in my hands at the end. I also belong to groups on Facebook where holding myself accountable helps me to keep going.
7.      A support network is very important to a writer. Family, friends and online friends too, for which I am truly grateful. When deadlines loom, or NaNoWriMo is upon me, my social life takes a back seat, and the people in my life give me the space I need. I am not sure they truly understand what drives me, but I am grateful for them allowing me to hide in my writing cave at these times.
I have been writing consistently since 2001 and my routine is well established by now. But you need to find out what works for you. Get up earlier to write before work, or after the kids have gone to bed, or maybe lunch time at work. Talk to you family and friends about your writing time being your own, and join a group. Groups are different, and you need to ‘shop’ around until you find one where you get and give what you need.
How disciplined are you when it comes to your creative acitivies? Please share in the comments below.

PRIME PLEDGE by Linzé Brandon (Book 8 in the Nations of Peace series)

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