Friday, 20 February 2015

Book Feature: Antique Forgery by Eileen Harris

This second book in the series takes the reader further into the life of Alicia Trent and her friends. Magic, forgery, betrayal, and fabulous jewels surround Alicia as she struggles to find the reason for her friend's death.








Buy Links:

Wings e Press I Amazon I Barnes & Noble




Excerpt:
We were nearly halfway up the stairs when I heard Lawrence groan. I turned to see what had happened. He was deathly white, and while I watched, he sank down on the closest step. He was sweating heavily and clutching his stomach. He didn't seem coherent enough to answer any questions, so I ducked into my room and called for an ambulance. They only took about ten minutes to arrive, but it was horrible to wait. Lawrence was obviously in great pain, but couldn't tell me what was wrong.
The ride to the hospital took an eternity. They wouldn't let me ride in the ambulance, and I was so afraid of what would happen before he arrived. I was shaking and behind the wheel of a car was the last place I should have been, but as the ambulance tore through the streets with the siren blaring, I was right behind them.
I ran from the parking lot into the emergency room just in time to see them take Lawrence through a set of swinging doors where I couldn't follow. I slumped into a chair, and for the next two hours I sat in a waiting room with dull green walls and hard metal chairs. I never moved while I waited. My mind was busy begging Lawrence to hold on.
Since I was the only one waiting, when I saw an exhausted-looking man dressed in scrubs walk into the room, I took a deep breath and hurried to his side.
He said, “Are you the relative who brought Lawrence Hall in tonight?”
Afraid they wouldn't tell me anything if I confessed to not being a relative, I just nodded.
“Mr. Hall is a very sick man. He's been poisoned, and we think he must have eaten poisonous mushrooms. Our tests indicate they were probably green-spored lepiota.”
At this point I wanted to scream at him to just tell me his condition. He could explain the details after I knew how Lawrence was.
However, he wasn't finished explaining. “This particular mushroom doesn't normally cause death, but among its other symptoms it can dangerously lower blood pressure. Mr. Hall must be on some type of medication that has the same effect, or at least exacerbated the effect of the mushroom, because we nearly lost him. It's a good thing you got him here when you did. We have him stabilized now, and he should make a full recovery.”
I barely heard anything the man said except the last statement. Lawrence was going to be all right! My knees weakened with relief and I sank into the nearest chair.
He continued, “He's awake, and we need to monitor him closely for a while. We want to keep him tonight and tomorrow for observation, but he can probably go home after that. If you want to see him, you can visit for a short time, but first, can you tell me what type of medication he's taking? He was still pretty confused when I talked to him and wasn't able to tell me.”
“I don't know the exact medication. Lawrence is bi-polar, so it has to be something for that. I'll see if I can find out the name for you.”
I got the room number and was practically running in my need to see for myself that he was alive and recovering. I burst into the room, nearly knocking over a nurse on her way out. She cautioned me the patient needed rest and, with a frown in my direction, left the room. I pulled a chair up next to the bed and took Lawrence's hand. “You look so much better already. You have some color back.”
He said, “You look terrible. You can relax. I'm going to be fine. I was a little worried in the beginning because the confusion felt the way some of my episodes used to begin. The confusion is gone now, and I really am fine. It's left me very tired, but they don't want me to sleep yet. Tell me exactly what happened. I'm sure the gory details will help keep me awake. The last thing I remember is starting up the stairs, and then brief moments in the ambulance.”
I wanted to answer in the same matter-of-fact way he'd asked the question. I tried, but before I could begin, tears were running down my face and I couldn't find my voice. I didn't sob or howl. Strangely, I didn't make any noise at all. I just stared at Lawrence, horrified because he might have died trying to help me. All the while the silent tears kept coming.
He said, “Ali, we can't have this. I've seen you go through some horrible times, but I've never seen you cry. There's no need for you to be so upset. I promise you I will be out of here tomorrow, and all will be well. Even the doctor says so.”
I gulped a few times trying to find my voice. It didn't sound good, but I managed to say, “I couldn't bear it if anything happened to you. When you get out of here, you're going right back to Scottsdale! I should never have involved you in any of this.”
“Whoa there, girl! In the first place, I'm a grown man and you can't involve me in anything I don't choose to be involved in. In the second place, you and your crazy mixed-up life are the main thing keeping me from getting old and bored. Bad things happen sometimes, but none of this is your fault. Now dry those tears and tell me how I got here.”
I hiccuped a few times but got myself under control. “Okay, I'm not trying to take the blame for what happened, but I was so scared. It seems you were poisoned. I wasn't in much shape to listen to the doctor, but it was some kind of mushroom. There were mushrooms in the food we ate at supper, but we both ate those. Someone targeted you specifically. At the moment, I have no idea why they did it, but I don't think whoever did this was trying to kill you. The doctor said the symptoms were severe but not normally fatal. The problem seemed to be a reaction between the poison and your medication. Whoever did this couldn't have known that you take anything, or at least not that your medicine would react with the mushrooms. The doctor asked me to find out the name of your prescription.”
“I vaguely remember him asking me, but I was pretty confused then and couldn't remember. It's Geodon. They tried dozens before, but nothing worked until this came along. I'm one of the lucky ones, because it not only keeps the problem in check, but I don't suffer from any severe side effects. This reaction with poison mushrooms is something I certainly never expected. I should have told you ages ago in case of a relapse or some bizarre circumstances like these.”
“I'll let the doctor know the name of the medicine. I don't know if your medication lowers your blood pressure, but it dropped dangerously low. That's what had the doctors worried.”
“I don't know either, but the doctors will figure it out. I understand I have to be in here until tomorrow evening, even though I tried to talk them into letting me go sooner. You need to promise me you won't do anything the least bit dangerous until I get back. One day isn't going to make any difference. Whoever did this may have planned it to separate us for some reason. So promise me you'll be careful and not spend time alone.”
The frowning nurse came back and warned me I needed to leave. Visiting hours were over and the patient needed rest.
I said, “Don't worry about me. I promise I will take every precaution until you're out of here. I'll be back tomorrow afternoon and will drive you to the house when they release you. Just get well!”
Outside the room, Detective Wilton was waiting for me.

About the Author:

From living off the grid in the Arizona desert, Eileen has moved to the woods of upstate New York. She has authored a standalone adventure novel called Desert Shadow. She is also the author of Alicia Trent Series. The Black Cane : Dowager Diaries Book 1 is her latest release.

Stalk The Author




Tuesday, 17 February 2015

Tai chi confession: I skipped a class...

I have been so happy with my progress on my tai chi lessons, it is hard to believe that I still am doing this, and all on my own.
I watched the video clip on lesson seven yesterday and was quite happy with myself after practicing it a few times with and without the teacher. Then a few hours later I wondered about one of the movements in the form, and I go...not again.
To make up for this mental mishap, I copied lessons seven to ten to my iPad - with a bit of a struggle, since I am not fluent in iTunes. Nonetheless, I managed to get the clips to the tablet and had a quick peek at the lesson to refresh my memory.
Early this morning, I was playing around with the iPad and activated lesson eight by accident. Or maybe not. It was an extension of lesson seven with an intermediate transition step the only addition in the form I am studying.
What fun. Where I would normally allocate two weeks for each new movement to learn and practice and perform it, now I am doing two lessons. Maybe two weeks will be enough, maybe not.

So the student has skipped a class, lets hope she doesn't fall on her nose in the overeagerness test.

Saturday, 14 February 2015

Blog Hop: Spread Some Indie Love


  
Géra's Gift Link                             Keeper of the Dragon Sword Link

♥  Happy Valentine's Day!  
The codes are valid until 21 Feb 2015






Saturday, 7 February 2015

My editing tips (as a non-editor) - Part 2

I don’t have any formal typing training, so whatever speed I achieve depends greatly on my mood and the phase of the moon, i.e. there isn’t any to speak of.
Accuracy sucks and I hate those wiggly red lines my word processor uses to show me that a word has been misspelled.

With the spellchecker deactivated while I am writing, the chances of errors are huge to say nothing of all the other mistakes I make. So here are my 3 tips for editing this week:
  1. Run a spellchecker - especially if you are an editorial/typing idiot like me. I write in UK/SA English and thus consistent use of the “s" versus the “z" in many words are paramount. Check that your spellchecker use the same version of English throughout the document.
  2. Be careful when you use regional slang words that might be confusing or not directly clear from the context of the scene. In South Africa we use words such as “eish” and “ama-zing” that may not be the familiar or in the same context as it is meant to be used. I try to avoid those in my writing. If you use such words, make sure the context is such that the reader can deduce the meaning, or intention behind it.
  3. Incorrect words for the context may not be detected by a spellchecker. Words such as “life” for “live” or “from” instead of “form”. Even recently I spotted mistakes like these in a book, clearly overlooked by the author and the editor. It does not need to happen. I keep a list of these words that I perpetually mistype. Want a few examples? fro, form, fir, than, sate, desert, etc.
    When I finish the first draft of my book, I run a search for all the words in my list. Of course sometimes the context is correct. Then there is the 99% of the time where it is wrong. I can fix those without making my editor roll her eyes at me.
You can do all of these too. It saves time so your editor will spend his/her time on the important parts, and not fixing these mistakes that you can easily correct yourself.

Friday, 6 February 2015

Book Feature: 32 Seconds by Johanna K. Pitcairn

To the average onlooker, the city of Los Angeles represents glitz, glamour, and the celebrity lifestyle. But to seventeen-year-old Julie Jones, the city is a vast host of problems she’s longing to get away from. The latest? An unfortunate disagreement with her ex-boyfriend Mark—one that could land her in some serious hot water.

So rather than face the troubles that torment her, Julie decides to run away from her old life and start fresh somewhere new. But her parents aren’t on board with the plan, and she soon finds her bank accounts frozen and her wallet empty.

With just seventy-five dollars and a full tank of gas, the troubled teen is far too stubborn to turn around and head home. So what’s a girl to do?

What Julie doesn’t know is that her travels are about to take her somewhere unexpected—a place where she’ll be forced to come face to face with the ghosts of her past in order to secure her future.

A tale of redemption, hope, and freedom lost and found, 32 Seconds is a thought-provoking exploration into the human spirit and the nature of forgiveness.


Available on Amazon

About the Author
Johanna K. Pitcairn has dreamed of becoming a writer since childhood--authoring her first novel at the age of nine, and countless poems, stories, and screenplays by the age of seventeen. Later, rather than pursuing a career as a director and screenwriter, she decided to go to law school, driven by her father's opinion that "writing does not pay the bills."

Ten years later, she moved to New York City, which inspired her to go back to the excitement, wonder, and constant change of being a writer. Pitcairn is a huge fan of psychological-thriller novels and movies, and delves into her hopes, fears, friends, enemies, and everything in between in her own writing.




Contact the Author:






Thursday, 5 February 2015

Guest Post: Creativity by Johanna K. Pitcairn

Linzé: It is my pleasure to welcome Johanna to my blog today. She is the first guest blogger for the year. Welcome, Johanna! 
Johanna: First and foremost, thanks for the opportunity to be featured on your blog. Every indie author needs all the support they can get, and I’m very grateful for all the support I’ve received and am receiving. 
 I love these two quotes about creativity: 
“Make visible what, without you, might perhaps never have been.” Robert Bresson
And 
“An essential aspect of creativity is not being afraid to fail.” Edwin Land. 
So being creative means you gotta jump in the ravine, not knowing whether your chute is gonna work. But maybe you’ll find an invisible bungee cord on the way, or a bouncy mushroom. Safely, you will land in a foreign territory populated by tiny elves whose specialty is to bake really huge pumpkin pies. You don’t like pumpkin pie, but the elf leader insists you must have a bite, or you’ll choke on your own air within fifteen seconds. You eat a piece, and immediately, the world becomes this fairytale scenery, with a huge castle and tons of servants, and you wearing a very expensive outfit, and sitting on a throne made of candy canes. And you hear this little voice that keeps asking: “Dad, what’s for breakfast?”
Take an idea and fly with it. Make it not ten, but a million times bigger. And if you crash, at least you’ll know the idea didn’t work. Self-doubt is the biggest enemy of creativity. A creative mind takes risks, and has fun in the process. You look at things in a different way, and break established patterns. 
I’ll finish with this beautiful quote from Steve Jobs: “Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.” 

So be creative, and pass it on. I heard creativity was contagious.

Linzé: Look out for Johanna's book feature tomorrow. True creativity in action!


Tuesday, 3 February 2015

Tai chi - an unplanned surprise

A few days after I fell and tore ligaments in my left foot and ankle, I decided to try doing my tai chi practice. I can just see the surprise on your face. Yeah, I thought I was crazy for trying too.
It has become part of my routine, so I missed my twice daily tai chi sessions. So with careful consideration, my ankle brace properly strapped on, I went for it.
Tai chi is not a routine to be rushed, which I appreciated more than ever at this attempt. Opening stance, opening movement. Check.
Second, third, fourth movements. Check. Okay, it wasn’t that easy, but if I kept my head, there was little to no pain. I made a slight adjustment to my stance, keeping a more upright posture and using a shorter step out (the bow step) to limit bending of my foot even in the forward position.
It doesn’t feel natural, so when my injury is healed, reverting back to the more extended movement, will not be a problem.
Since I feel comfortable with the routine so far, ankle injury notwithstanding, I decided to keep to my schedule and proceed towards studying the sixth movement in the course.
The typical healing period for this type of injury is about 6 to 8 weeks. Unless the subsequent tai chi movements will strain my injury, I will keep to my planning. If there is stress on my ankle, I will keep practicing the routing as I have learnt it up to that point, and delay adding the next movement until my body is ready.
In the meantime I wish you health, harmony and happiness!

Saturday, 31 January 2015

My editing tips (as a non-editor) - Part 1

Source: Dreamstime.com
I might have mentioned a time or six, that editing is not my strongest skill when it comes to writing. It still means that I have to edit my work, before sending it off to a professional for that final touch. So what do I do, since I don’t know what I am doing?

Over the years I have learned a few things about editing in general, but also about things that work for me as I start preparing a manuscript for publication. Here are the first 5 tips that work for me:
  1. I print the manuscript on paper. Being sensitive about environmental issues, I print the manuscript, two pages per page and double sided – thereby reducing the amount of paper used by 75%.
  2. It is an established fact that we retain more information from reading on paper than a computer screen – hence the print. After printing, I read it beginning to end, no editing, with the exception of spelling or obvious grammar mistakes.
  3. I used a set of fine markers – all colours – to tackle this editing phase. Small things like missing or incorrect punctuation marks, red pen. Editing text, or adding more words – colour of the day. This also helps me to keep track to see if I am on schedule. If I plan to publish a book, say the 21st of April, I need to plan my own editing to be finished by 24 March. This will give my editor enough time to apply her red pen, and myself enough time to work through those editorial gems for updating my work.
    Note:
     Allow yourself enough time for this process. There is nothing more frustrating to a reader, waiting in anticipation for your next book, to be told that you have extended the publication date.
  4. I edit with a notebook next to me. Despite my good intentions, it takes me about two years to write a novel. This means that there are some things that I forgot, or that was not quite sorted out while I wrote the first draft. (Reminder: while I plan some aspects of my books, I am a pantser at heart). Therefore the notebook. Place names, detail descriptions of the setting, that sort of thing. My notes help with consistency throughout the story.
    Note: 
    In Michael’s Mystery, the people of Kryane live in a desert and I had to be super careful with descriptions on how they dressed and how they lived. Strappy dresses and flip-flops won’t work.
  5. Titles and other forms of address sometimes give me headaches. Using capital letters or not for titles, and references to deities, God and royalty becomes part of this process. Consistency again, and sensitivity to context especially when it comes to religion, is one of those notebook entries of mine.
    Note:
     In Michael’s Mystery, the High Lords and other magicians are addressed as lord this or lady that. Writing the first draft I don’t worry about capitalisation of titles or not, but during editing, definitely.

Saturday, 24 January 2015

Planning to Write - blog posts, articles, fiction...at the same time

As I wrangled with my morning pages, I came to realise that my writing is not efficient. I have a long list of things to do - blog posts,  freelance work, short stories, editing, non-fiction books - and yet I cannot seem to be as productive as I want to be.
I love writing, not only fiction, but prioritising doesn't seem to be working. Or maybe it is not enough to prioritise my non-fiction above editing my third novel.
I know which projects need to be completed first, deadlines are looming, and yet I am spending my time in such a way that progress on each of these projects is not what it should be at this stage.
I have an allocated writing time - check.
I know what to write, no writers block issues - check.
What I need is to get better organised about which project to work on at what time.
So here I went and put some thought into the details. I am not going to bore you with my reasoning, but I believe it can work.
I have came up with this plan this past weekend, and will try it out for a week or three and adjust it if necessary.
My freelance writing (marked as SEO in the plan) depends on my deliverables for the week or month, so on that I might need to be more flexible. The same applies to weekend writing. If the opportunity arises there will be more time available to write and I will then be able to work on a project that has me inspired at that time.
I don't rely on a muse to write, but it has been known to happen and then I can do whatever is absolutely pressing on my mind.
Do you have any advice to help me out? How do you manage to work on multiple projects at the same time and still manage to meet your deadlines?

Tuesday, 20 January 2015

How I added tai chi to an already packed daily routine

From the time I made the decision to learn tai chi, until I started to do the lessons, there had been a few days delay. Not that I wasn’t serious about learning, or practising my lessons, quite the contrary.
I was so committed to doing it that I had to make sure that I could make the time such that  I could continue to do it. Starting some kind of exercise is all good and well, but if you can’t keep on doing it, what would be the point of starting in the first place?
In case you are wondering, it wasn’t a new year’s resolution either. I started in December last year, but figuring out where to fit it into my schedule was not an insignificant headache.
First I made a spreadsheet with hour time intervals for weekdays and weekends. Since I work full time, my workdays are pretty much dominated by the requirements of my employer. Fair enough. So where to put it into a schedule with work, household chores, and writing everyday?
Firstly, I read about the typical time it takes to do a tai chi routine. For competitions the time limit is set at 6 minutes, so for me still a novice at this martial art, I would plan for 15 minutes per session to do the routine as I have learned it, then practice the move of the lesson I am studying at that time, and then repeat the routine as I have learnt it up to that point.
But I decided to do that twice a day.
Getting up earlier would be a normal decision for anyone, because what is 15 minutes? Not in my case. I get out of bed as soon as my husband finishes in the bathroom at 05h10 in the morning, so getting up earlier? Not a chance!
The first 15 minutes I will do in my office, which is a little cramped but I can manage. The second 15 minutes wiggled themselves into my routine before I take a shower in the evening, before my writing time starts. Writing time is non-negotiable in case you were wondering.

Weekends are easier, but the commitment remains, and that is the most important to me. I love the discipline, and one day I might actually be good at it.

Saturday, 17 January 2015

Staying in the Game - Part 3: Recognition

The writer of the original post states that we as writers need the recognition from others to be seen as writers. It got me wondering why. Why do creative people - writers, visual artists, musicians, etc - need to be recognised as such, whereas other people in other professions do not?


I got my engineering degree and no one doubted my engineering abilities. I did not need to be recognised as an engineer to believe that I am one. All the years of studying definitely got that imprinted into my brain.

Sure, not every creative person has a formal qualification in the arts, but many do, so why the need to be recognised as such? Are we still dealing with a society that thinks that being a writer, a painter or a musician is not good enough? Or are we our own worst enemy?
Do I, Linzé Brandon, believe that I am a writer, an artist? For a while I confused recognition with validation, but no longer.
When you look in the mirror, do you point a finger to your own image and say: you are a writer (recognition) and, at the same time, I write because I want to and it doesn't matter what anyone else thinks (validation)?


Being a trained engineer (now project manager) and a writer, this irony of being one but not the other still baffles me. Even the other day someone said that it was a nice hobby - writing books.
I didn't take exception, because I know this person meant it as a compliment of sorts. This is not always the case, and those words do not always come out as admiration of a creative talent. Sometimes people do look down their noses when I tell them that I am a writer.

Although I have been writing for almost fourteen years, published since 2011, it is only recently that I sorted out this problem for myself - I am a writer.
For many though the question remains: am I writer because I think I am, or am I a writer because others say I am? What do you think?

Thursday, 15 January 2015

Handwriting and its history - a post about a book, and me

Every once in a while I find a book in a shop that catches my eye and I just have to read it. There is no rhyme or reason for it, in fact it wasn't even the cover that got my attention. If you have browsed around on my blog you would have noticed the series I wrote on the history of the Kama Sutra, based on a book I found on that topic.
Well this time around it was a topic more intriguing, only because of the fact that we don't think about it, or maybe you have, but I certainly have not. The history of handwriting may not feature in the school curriculum (at least not in this country) but it got my attention.
Amazon ebook
When I thought about this post, I originally intended to write it by hand, on good paper with a fountain pen (yes, I have a few of those) with the intention to scan the result and post the resulting graphic as the post to this blog.
Make no mistake, I won't win any handwriting competitions, but it is not bad either, especially when writing with a heavy fountain pen. I prefer a heavy pen and Francois bought me a Waterman stainless steel pen a few years ago for my birthday. Being a lovely gift aside, it is still my heaviest and favourite pen.
So why didn't I write the post by hand? The answer is simple: size of the file. I would have had to scan the file at a high resolution to ensure legibility of the text, because the graphic would invariably have to be resized (made smaller) to fit the blog's usable space. Not using a high resolution graphic would have made the text fuzzy and more difficult to read.
So instead of straining your eyes, and your patience with a post that takes forever to load, I will limit my forays into handwritten blog posts to a greeting.
It took me a while to read this book, because it is a mix of fact, historical and modern, interviews and personal commentaries by the author. Sometimes it took me a reread of a paragraph or two, to keep up with the narrative. (That's just me, not the author's fault)
When I started reading it, I had a look at my own handwriting. Not a difficult thing, since I keep a handwritten journal and still have the last four years' journals at my disposal. (Why only four is a story for another day.)
My handwriting changed and yet it did not. I write differently with a ballpoint pen than a fountain pen. The same applies to italic nibbed pens, or gel pens or whatever different writing instrument technologies I have in my arsenal. (Confession: I am a pen collector, and I estimate at least one of every type of pen under the sun feature in my collection)
I prefer a fine or needle tipped pen, but the feel of the shaft in my hand is just as important.
I don't know if graphologists (people who study your personality from your handwriting) would be able to find all my flaws in the different ways that I pen a word, then again cute, fluffy and served with a pink bow, is not me either.
Will handwritten words disappear, as the keyboard takes more and more of our words into the world?
I don't know, but if the scientists are right, learning to write by hand and keeping up the practice, has more benefits that just being able to read and write. As immersed as we have become in our modern smart and small devices, studies have shown that our data retention from reading from a screen, is much less than reading from paper.

If this is true for the general population, myself included, how much do we stand to loose if we stop writing by hand?


I'm back! CreativeLife updates since my break

Hey there fellow creative! Taking breaks are necessary for all of us, and we shouldn't forget that as creatives we need to do the same. ...