Friday, 6 February 2015

Book Feature: 32 Seconds by Johanna K. Pitcairn

To the average onlooker, the city of Los Angeles represents glitz, glamour, and the celebrity lifestyle. But to seventeen-year-old Julie Jones, the city is a vast host of problems she’s longing to get away from. The latest? An unfortunate disagreement with her ex-boyfriend Mark—one that could land her in some serious hot water.

So rather than face the troubles that torment her, Julie decides to run away from her old life and start fresh somewhere new. But her parents aren’t on board with the plan, and she soon finds her bank accounts frozen and her wallet empty.

With just seventy-five dollars and a full tank of gas, the troubled teen is far too stubborn to turn around and head home. So what’s a girl to do?

What Julie doesn’t know is that her travels are about to take her somewhere unexpected—a place where she’ll be forced to come face to face with the ghosts of her past in order to secure her future.

A tale of redemption, hope, and freedom lost and found, 32 Seconds is a thought-provoking exploration into the human spirit and the nature of forgiveness.


Available on Amazon

About the Author
Johanna K. Pitcairn has dreamed of becoming a writer since childhood--authoring her first novel at the age of nine, and countless poems, stories, and screenplays by the age of seventeen. Later, rather than pursuing a career as a director and screenwriter, she decided to go to law school, driven by her father's opinion that "writing does not pay the bills."

Ten years later, she moved to New York City, which inspired her to go back to the excitement, wonder, and constant change of being a writer. Pitcairn is a huge fan of psychological-thriller novels and movies, and delves into her hopes, fears, friends, enemies, and everything in between in her own writing.




Contact the Author:






Thursday, 5 February 2015

Guest Post: Creativity by Johanna K. Pitcairn

Linzé: It is my pleasure to welcome Johanna to my blog today. She is the first guest blogger for the year. Welcome, Johanna! 
Johanna: First and foremost, thanks for the opportunity to be featured on your blog. Every indie author needs all the support they can get, and I’m very grateful for all the support I’ve received and am receiving. 
 I love these two quotes about creativity: 
“Make visible what, without you, might perhaps never have been.” Robert Bresson
And 
“An essential aspect of creativity is not being afraid to fail.” Edwin Land. 
So being creative means you gotta jump in the ravine, not knowing whether your chute is gonna work. But maybe you’ll find an invisible bungee cord on the way, or a bouncy mushroom. Safely, you will land in a foreign territory populated by tiny elves whose specialty is to bake really huge pumpkin pies. You don’t like pumpkin pie, but the elf leader insists you must have a bite, or you’ll choke on your own air within fifteen seconds. You eat a piece, and immediately, the world becomes this fairytale scenery, with a huge castle and tons of servants, and you wearing a very expensive outfit, and sitting on a throne made of candy canes. And you hear this little voice that keeps asking: “Dad, what’s for breakfast?”
Take an idea and fly with it. Make it not ten, but a million times bigger. And if you crash, at least you’ll know the idea didn’t work. Self-doubt is the biggest enemy of creativity. A creative mind takes risks, and has fun in the process. You look at things in a different way, and break established patterns. 
I’ll finish with this beautiful quote from Steve Jobs: “Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.” 

So be creative, and pass it on. I heard creativity was contagious.

Linzé: Look out for Johanna's book feature tomorrow. True creativity in action!


Tuesday, 3 February 2015

Tai chi - an unplanned surprise

A few days after I fell and tore ligaments in my left foot and ankle, I decided to try doing my tai chi practice. I can just see the surprise on your face. Yeah, I thought I was crazy for trying too.
It has become part of my routine, so I missed my twice daily tai chi sessions. So with careful consideration, my ankle brace properly strapped on, I went for it.
Tai chi is not a routine to be rushed, which I appreciated more than ever at this attempt. Opening stance, opening movement. Check.
Second, third, fourth movements. Check. Okay, it wasn’t that easy, but if I kept my head, there was little to no pain. I made a slight adjustment to my stance, keeping a more upright posture and using a shorter step out (the bow step) to limit bending of my foot even in the forward position.
It doesn’t feel natural, so when my injury is healed, reverting back to the more extended movement, will not be a problem.
Since I feel comfortable with the routine so far, ankle injury notwithstanding, I decided to keep to my schedule and proceed towards studying the sixth movement in the course.
The typical healing period for this type of injury is about 6 to 8 weeks. Unless the subsequent tai chi movements will strain my injury, I will keep to my planning. If there is stress on my ankle, I will keep practicing the routing as I have learnt it up to that point, and delay adding the next movement until my body is ready.
In the meantime I wish you health, harmony and happiness!

Saturday, 31 January 2015

My editing tips (as a non-editor) - Part 1

Source: Dreamstime.com
I might have mentioned a time or six, that editing is not my strongest skill when it comes to writing. It still means that I have to edit my work, before sending it off to a professional for that final touch. So what do I do, since I don’t know what I am doing?

Over the years I have learned a few things about editing in general, but also about things that work for me as I start preparing a manuscript for publication. Here are the first 5 tips that work for me:
  1. I print the manuscript on paper. Being sensitive about environmental issues, I print the manuscript, two pages per page and double sided – thereby reducing the amount of paper used by 75%.
  2. It is an established fact that we retain more information from reading on paper than a computer screen – hence the print. After printing, I read it beginning to end, no editing, with the exception of spelling or obvious grammar mistakes.
  3. I used a set of fine markers – all colours – to tackle this editing phase. Small things like missing or incorrect punctuation marks, red pen. Editing text, or adding more words – colour of the day. This also helps me to keep track to see if I am on schedule. If I plan to publish a book, say the 21st of April, I need to plan my own editing to be finished by 24 March. This will give my editor enough time to apply her red pen, and myself enough time to work through those editorial gems for updating my work.
    Note:
     Allow yourself enough time for this process. There is nothing more frustrating to a reader, waiting in anticipation for your next book, to be told that you have extended the publication date.
  4. I edit with a notebook next to me. Despite my good intentions, it takes me about two years to write a novel. This means that there are some things that I forgot, or that was not quite sorted out while I wrote the first draft. (Reminder: while I plan some aspects of my books, I am a pantser at heart). Therefore the notebook. Place names, detail descriptions of the setting, that sort of thing. My notes help with consistency throughout the story.
    Note: 
    In Michael’s Mystery, the people of Kryane live in a desert and I had to be super careful with descriptions on how they dressed and how they lived. Strappy dresses and flip-flops won’t work.
  5. Titles and other forms of address sometimes give me headaches. Using capital letters or not for titles, and references to deities, God and royalty becomes part of this process. Consistency again, and sensitivity to context especially when it comes to religion, is one of those notebook entries of mine.
    Note:
     In Michael’s Mystery, the High Lords and other magicians are addressed as lord this or lady that. Writing the first draft I don’t worry about capitalisation of titles or not, but during editing, definitely.

Saturday, 24 January 2015

Planning to Write - blog posts, articles, fiction...at the same time

As I wrangled with my morning pages, I came to realise that my writing is not efficient. I have a long list of things to do - blog posts,  freelance work, short stories, editing, non-fiction books - and yet I cannot seem to be as productive as I want to be.
I love writing, not only fiction, but prioritising doesn't seem to be working. Or maybe it is not enough to prioritise my non-fiction above editing my third novel.
I know which projects need to be completed first, deadlines are looming, and yet I am spending my time in such a way that progress on each of these projects is not what it should be at this stage.
I have an allocated writing time - check.
I know what to write, no writers block issues - check.
What I need is to get better organised about which project to work on at what time.
So here I went and put some thought into the details. I am not going to bore you with my reasoning, but I believe it can work.
I have came up with this plan this past weekend, and will try it out for a week or three and adjust it if necessary.
My freelance writing (marked as SEO in the plan) depends on my deliverables for the week or month, so on that I might need to be more flexible. The same applies to weekend writing. If the opportunity arises there will be more time available to write and I will then be able to work on a project that has me inspired at that time.
I don't rely on a muse to write, but it has been known to happen and then I can do whatever is absolutely pressing on my mind.
Do you have any advice to help me out? How do you manage to work on multiple projects at the same time and still manage to meet your deadlines?

Tuesday, 20 January 2015

How I added tai chi to an already packed daily routine

From the time I made the decision to learn tai chi, until I started to do the lessons, there had been a few days delay. Not that I wasn’t serious about learning, or practising my lessons, quite the contrary.
I was so committed to doing it that I had to make sure that I could make the time such that  I could continue to do it. Starting some kind of exercise is all good and well, but if you can’t keep on doing it, what would be the point of starting in the first place?
In case you are wondering, it wasn’t a new year’s resolution either. I started in December last year, but figuring out where to fit it into my schedule was not an insignificant headache.
First I made a spreadsheet with hour time intervals for weekdays and weekends. Since I work full time, my workdays are pretty much dominated by the requirements of my employer. Fair enough. So where to put it into a schedule with work, household chores, and writing everyday?
Firstly, I read about the typical time it takes to do a tai chi routine. For competitions the time limit is set at 6 minutes, so for me still a novice at this martial art, I would plan for 15 minutes per session to do the routine as I have learned it, then practice the move of the lesson I am studying at that time, and then repeat the routine as I have learnt it up to that point.
But I decided to do that twice a day.
Getting up earlier would be a normal decision for anyone, because what is 15 minutes? Not in my case. I get out of bed as soon as my husband finishes in the bathroom at 05h10 in the morning, so getting up earlier? Not a chance!
The first 15 minutes I will do in my office, which is a little cramped but I can manage. The second 15 minutes wiggled themselves into my routine before I take a shower in the evening, before my writing time starts. Writing time is non-negotiable in case you were wondering.

Weekends are easier, but the commitment remains, and that is the most important to me. I love the discipline, and one day I might actually be good at it.

Saturday, 17 January 2015

Staying in the Game - Part 3: Recognition

The writer of the original post states that we as writers need the recognition from others to be seen as writers. It got me wondering why. Why do creative people - writers, visual artists, musicians, etc - need to be recognised as such, whereas other people in other professions do not?


I got my engineering degree and no one doubted my engineering abilities. I did not need to be recognised as an engineer to believe that I am one. All the years of studying definitely got that imprinted into my brain.

Sure, not every creative person has a formal qualification in the arts, but many do, so why the need to be recognised as such? Are we still dealing with a society that thinks that being a writer, a painter or a musician is not good enough? Or are we our own worst enemy?
Do I, Linzé Brandon, believe that I am a writer, an artist? For a while I confused recognition with validation, but no longer.
When you look in the mirror, do you point a finger to your own image and say: you are a writer (recognition) and, at the same time, I write because I want to and it doesn't matter what anyone else thinks (validation)?


Being a trained engineer (now project manager) and a writer, this irony of being one but not the other still baffles me. Even the other day someone said that it was a nice hobby - writing books.
I didn't take exception, because I know this person meant it as a compliment of sorts. This is not always the case, and those words do not always come out as admiration of a creative talent. Sometimes people do look down their noses when I tell them that I am a writer.

Although I have been writing for almost fourteen years, published since 2011, it is only recently that I sorted out this problem for myself - I am a writer.
For many though the question remains: am I writer because I think I am, or am I a writer because others say I am? What do you think?

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