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My editing tips (as a non-editor) - Part 2

I don’t have any formal typing training, so whatever speed I achieve depends greatly on my mood and the phase of the moon, i.e. there isn’t any to speak of.
Accuracy sucks and I hate those wiggly red lines my word processor uses to show me that a word has been misspelled.

With the spellchecker deactivated while I am writing, the chances of errors are huge to say nothing of all the other mistakes I make. So here are my 3 tips for editing this week:

1. Run a spellchecker - especially if you are an editorial/typing idiot like me. I write in UK/SA English and thus consistent use of the “s" versus the “z" in many words are paramount. Check that your spellchecker use the same version of English throughout the document.
2. Be careful when you use regional slang words that might be confusing or not directly clear from the context of the scene. In South Africa we use words such as “eish” and “ama-zing” that may not be the familiar or in the same context as it is meant to be used. I try to avoid those in my writing. If you use such words, make sure the context is such that the reader can deduce the meaning, or intention behind it.
3. Incorrect words for the context may not be detected by a spellchecker. Words such as “life” for “live” or “from” instead of “form”. Even recently I spotted mistakes like these in a book, clearly overlooked by the author and the editor. It does not need to happen. I keep a list of these words that I perpetually mistype. Want a few examples? fro, form, fir, than, sate, desert, etc.
   When I finish the first draft of my book, I run a search for all the words in my list. Of course sometimes the context is correct. Then there is the 99% of the time where it is wrong. I can fix those without making my editor roll her eyes at me.

You can do all of these too. It saves time so your editor will spend his/her time on the important parts, and not fixing these mistakes that you can easily correct yourself.

Book Feature: 32 Seconds by Johanna K. Pitcairn

To the average onlooker, the city of Los Angeles represents glitz, glamour, and the celebrity lifestyle. But to seventeen-year-old Julie Jones, the city is a vast host of problems she’s longing to get away from. The latest? An unfortunate disagreement with her ex-boyfriend Mark—one that could land her in some serious hot water.

So rather than face the troubles that torment her, Julie decides to run away from her old life and start fresh somewhere new. But her parents aren’t on board with the plan, and she soon finds her bank accounts frozen and her wallet empty.

With just seventy-five dollars and a full tank of gas, the troubled teen is far too stubborn to turn around and head home. So what’s a girl to do?

What Julie doesn’t know is that her travels are about to take her somewhere unexpected—a place where she’ll be forced to come face to face with the ghosts of her past in order to secure her future.

A tale of redemption, hope, and freedom lost and found, 32 Seconds is a thought-provoking exploration into the human spirit and the nature of forgiveness.

Available on Amazon

About the Author

Johanna K. Pitcairn has dreamed of becoming a writer since childhood--authoring her first novel at the age of nine, and countless poems, stories, and screenplays by the age of seventeen. Later, rather than pursuing a career as a director and screenwriter, she decided to go to law school, driven by her father's opinion that "writing does not pay the bills."

Ten years later, she moved to New York City, which inspired her to go back to the excitement, wonder, and constant change of being a writer. Pitcairn is a huge fan of psychological-thriller novels and movies, and delves into her hopes, fears, friends, enemies, and everything in between in her own writing.

Contact the Author:

Website I Blog I Facebook I Twitter I Goodreads I The Independent Author Network 

Tour Schedule

Guest Post: Creativity by Johanna K. Pitcairn

Linzé: It is my pleasure to welcome Johanna to my blog today. She is the first guest blogger for the year. Welcome, Johanna! 

Johanna: First and foremost, thanks for the opportunity to be featured on your blog. Every indie author needs all the support they can get, and I’m very grateful for all the support I’ve received and am receiving. 

 I love these two quotes about creativity: 

“Make visible what, without you, might perhaps never have been.” Robert Bresson

And 

“An essential aspect of creativity is not being afraid to fail.” Edwin Land. 

So being creative means you gotta jump in the ravine, not knowing whether your chute is gonna work. But maybe you’ll find an invisible bungee cord on the way, or a bouncy mushroom. Safely, you will land in a foreign territory populated by tiny elves whose specialty is to bake really huge pumpkin pies. You don’t like pumpkin pie, but the elf leader insists you must have a bite, or you’ll choke on your own air within fifteen seconds. You eat a piece, and immediately, the world becomes this fairytale scenery, with a huge castle and tons of servants, and you wearing a very expensive outfit, and sitting on a throne made of candy canes. And you hear this little voice that keeps asking: “Dad, what’s for breakfast?”

Take an idea and fly with it. Make it not ten, but a million times bigger. And if you crash, at least you’ll know the idea didn’t work. Self-doubt is the biggest enemy of creativity. A creative mind takes risks, and has fun in the process. You look at things in a different way, and break established patterns. 

I’ll finish with this beautiful quote from Steve Jobs: “Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.” 

So be creative, and pass it on. I heard creativity was contagious.

Linzé: Look out for Johanna's book feature tomorrow. True creativity in action!

Tai chi - an unplanned surprise

A few days after I fell and tore ligaments in my left foot and ankle, I decided to try doing my tai chi practice. I can just see the surprise on your face. Yeah, I thought I was crazy for trying too.

It has become part of my routine, so I missed my twice daily tai chi sessions. So with careful consideration, my ankle brace properly strapped on, I went for it.

Tai chi is not a routine to be rushed, which I appreciated more than ever at this attempt. Opening stance, opening movement. Check.

Second, third, fourth movements. Check. Okay, it wasn’t that easy, but if I kept my head, there was little to no pain. I made a slight adjustment to my stance, keeping a more upright posture and using a shorter step out (the bow step) to limit bending of my foot even in the forward position.

It doesn’t feel natural, so when my injury is healed, reverting back to the more extended movement, will not be a problem.

Since I feel comfortable with the routine so far, ankle injury notwithstanding, I decided to keep to my schedule and proceed towards studying the sixth movement in the course.

The typical healing period for this type of injury is about 6 to 8 weeks. Unless the subsequent tai chi movements will strain my injury, I will keep to my planning. If there is stress on my ankle, I will keep practicing the routing as I have learnt it up to that point, and delay adding the next movement until my body is ready.

In the meantime I wish you health, harmony and happiness!

My editing tips (as a non-editor) - Part 1

Source: Dreamstime.com

I might have mentioned a time or six, that editing is not my strongest skill when it comes to writing. It still means that I have to edit my work, before sending it off to a professional for that final touch. So what do I do, since I don’t know what I am doing?

Over the years I have learned a few things about editing in general, but also about things that work for me as I start preparing a manuscript for publication. Here are the first 5 tips that work for me:

1. I print the manuscript on paper. Being sensitive about environmental issues, I print the manuscript, two pages per page and double sided – thereby reducing the amount of paper used by 75%.
   
2. It is an established fact that we retain more information from reading on paper than a computer screen – hence the print. After printing, I read it beginning to end, no editing, with the exception of spelling or obvious grammar mistakes.
   
3. I used a set of fine markers – all colours – to tackle this editing phase. Small things like missing or incorrect punctuation marks, red pen. Editing text, or adding more words – colour of the day. This also helps me to keep track to see if I am on schedule. If I plan to publish a book, say the 21^st of April, I need to plan my own editing to be finished by 24 March. This will give my editor enough time to apply her red pen, and myself enough time to work through those editorial gems for updating my work.
   Note: Allow yourself enough time for this process. There is nothing more frustrating to a reader, waiting in anticipation for your next book, to be told that you have extended the publication date.
   
4. I edit with a notebook next to me. Despite my good intentions, it takes me about two years to write a novel. This means that there are some things that I forgot, or that was not quite sorted out while I wrote the first draft. (Reminder: while I plan some aspects of my books, I am a pantser at heart). Therefore the notebook. Place names, detail descriptions of the setting, that sort of thing. My notes help with consistency throughout the story.
   Note: In Michael’s Mystery, the people of Kryane live in a desert and I had to be super careful with descriptions on how they dressed and how they lived. Strappy dresses and flip-flops won’t work.
   
5. Titles and other forms of address sometimes give me headaches. Using capital letters or not for titles, and references to deities, God and royalty becomes part of this process. Consistency again, and sensitivity to context especially when it comes to religion, is one of those notebook entries of mine.
   Note: In Michael’s Mystery, the High Lords and other magicians are addressed as lord this or lady that. Writing the first draft I don’t worry about capitalisation of titles or not, but during editing, definitely.

Planning to Write - blog posts, articles, fiction...at the same time

As I wrangled with my morning pages, I came to realise that my writing is not efficient. I have a long list of things to do - blog posts,  freelance work, short stories, editing, non-fiction books - and yet I cannot seem to be as productive as I want to be.

I love writing, not only fiction, but prioritising doesn't seem to be working. Or maybe it is not enough to prioritise my non-fiction above editing my third novel.

I know which projects need to be completed first, deadlines are looming, and yet I am spending my time in such a way that progress on each of these projects is not what it should be at this stage.

I have an allocated writing time - check.

I know what to write, no writers block issues - check.

What I need is to get better organised about which project to work on at what time.

So here I went and put some thought into the details. I am not going to bore you with my reasoning, but I believe it can work.

I have came up with this plan this past weekend, and will try it out for a week or three and adjust it if necessary.

My freelance writing (marked as SEO in the plan) depends on my deliverables for the week or month, so on that I might need to be more flexible. The same applies to weekend writing. If the opportunity arises there will be more time available to write and I will then be able to work on a project that has me inspired at that time.

I don't rely on a muse to write, but it has been known to happen and then I can do whatever is absolutely pressing on my mind.

Do you have any advice to help me out? How do you manage to work on multiple projects at the same time and still manage to meet your deadlines?