Inspired by the classic novel The Secret Garden, Jane Yates introduces us to a steampunk world of bio-domes, robots and mysteries. Eleven-year-old Aberdeen is so used to being by herself that all she has to fill her thoughts are stories of mighty dragons and grand castles. But Aberdeen’s world is soon thrown into disarray however; her parents murdered.
Having no choice, Aberdeen is sent to live with her uncle back on Earth where her fascination into her new surroundings begin to take hold. It isn’t long before Aberdeen befriends three other children – Maisy, Peter and Lenard.
Oh, and there’s Frank too, Peter’s robot dog, who completes this special circle of friendship.
Garden is a journey of self-discovery, of trials and friendship. With adventure boundless, Jane Yates follows up her acclaimed Paradox Child trilogy with a new tale for young fans of steampunk and science fiction.
Having no choice, Aberdeen is sent to live with her uncle back on Earth where her fascination into her new surroundings begin to take hold. It isn’t long before Aberdeen befriends three other children – Maisy, Peter and Lenard.
Oh, and there’s Frank too, Peter’s robot dog, who completes this special circle of friendship.
Garden is a journey of self-discovery, of trials and friendship. With adventure boundless, Jane Yates follows up her acclaimed Paradox Child trilogy with a new tale for young fans of steampunk and science fiction.
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Excerpt
Deep in space, Aberdeen sat on a balcony overlooking a grand party her mother hosted. Everyone wore their finest clothes. The music was loud; a type of remixed jazz. Aberdeen searched her mother out among the crowd of guests. Upon spotting her, she gazed at her mother’s attire; a long silk dress, the colour of shock blue. This was matched by elaborate feathers and sparkling jewels that hung in her blue hair. Her mother’s hair swung down her back, which highlighted her large dragon tattoo. Aberdeen eyed the lead in her mother’s hand and followed it to the golden robot dog sat beside her. It was tall and thin, and even from where Aberdeen sat, she could see the cogs moving inside it as if it had a tiny heart beating.
Aberdeen’s mother laughed gaily. She had the full attention of a young officer with braided hair, who was smartly dressed in his green and gold uniform. As he chuckled along, his head dropped back and a cool thin line of rose-smelling cigarette smoke slid from the corner of his mouth.
Aberdeen continued to watch the party from above. As usual, there was no sign of her father; probably in the engine room of the ship, she guessed. She browsed at all the fresh fruit and flowers in
the tall bowls and glasses decorating the table. She knew that they had been picked up the last time the ship had docked at one of the satellite stations. She had learnt that the fragrant, exotic flowers had been grown in large artificial garden domes and she longed to see one.
She looked down in awe at the musicians. A large man sat at a glass piano, his fingers elegantly flitting from key to key. Aberdeen could see his fat belly though through the transparent top of the piano; it wobbled tastelessly as he played, a huge contrast to his regal demeanour. Aberdeen also noticed a tall, skinny man, strumming a black shinny double base and three female trumpeters who all wore brown and white stripy suits.
Draped from the metallic ceiling were candle-shaped lights, and in between them dancers gambolled on trapeze ropes. They wore porcelain masks and flamboyantly displayed peacock feathers, midnight blue and jade green, in their hair. They matched the rhythm of the quintet perfectly, Aberdeen thought.
The floor was polished to a high shine and Aberdeen could see the refection of the sociable people in it. In the corner of the room was an old gentleman who caught Aberdeen’s interest. Upon his head was a black top hat and he rested a glass monocle on his eye, which magnified his golden brown iris so even Aberdeen could see. His long twisting moustache made Aberdeen giggle.
There were no children however, and Aberdeen wondered what the workers’ children were up to. She suddenly felt quite alone.
Aberdeen’s mother laughed gaily. She had the full attention of a young officer with braided hair, who was smartly dressed in his green and gold uniform. As he chuckled along, his head dropped back and a cool thin line of rose-smelling cigarette smoke slid from the corner of his mouth.
Aberdeen continued to watch the party from above. As usual, there was no sign of her father; probably in the engine room of the ship, she guessed. She browsed at all the fresh fruit and flowers in
the tall bowls and glasses decorating the table. She knew that they had been picked up the last time the ship had docked at one of the satellite stations. She had learnt that the fragrant, exotic flowers had been grown in large artificial garden domes and she longed to see one.
She looked down in awe at the musicians. A large man sat at a glass piano, his fingers elegantly flitting from key to key. Aberdeen could see his fat belly though through the transparent top of the piano; it wobbled tastelessly as he played, a huge contrast to his regal demeanour. Aberdeen also noticed a tall, skinny man, strumming a black shinny double base and three female trumpeters who all wore brown and white stripy suits.
Draped from the metallic ceiling were candle-shaped lights, and in between them dancers gambolled on trapeze ropes. They wore porcelain masks and flamboyantly displayed peacock feathers, midnight blue and jade green, in their hair. They matched the rhythm of the quintet perfectly, Aberdeen thought.
The floor was polished to a high shine and Aberdeen could see the refection of the sociable people in it. In the corner of the room was an old gentleman who caught Aberdeen’s interest. Upon his head was a black top hat and he rested a glass monocle on his eye, which magnified his golden brown iris so even Aberdeen could see. His long twisting moustache made Aberdeen giggle.
There were no children however, and Aberdeen wondered what the workers’ children were up to. She suddenly felt quite alone.
About the Author
Jane
lives in the historic city of Oxford, England with her two spaniels.
She works at the Pitt Rivers museum there too and is amazed and
inspired by its wondrous array of objects. Being a museum of
anthropology and world archaeology, Jane often finds herself
influenced by its exhibitions. And indeed it has helped Jane write a
trilogy for children – the Paradox
Child series.
Jane
is not only a mother, artist and storyteller, but dyslexic too, which
only highlights her success even more. Jane refuses to allow the
disorder to halt her dreams and continues to enjoy her favourite
hobbies. Jane is a lover of steampunk, adventure and children’s
stories, which often play a huge role in her own books.
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