Guest post and a new release from Charles Yallowitz

Thank you to Linzé Brandon for hosting me on her blog to help promote Legends of Windemere: Warlord of the Forgotten Age. This is the final book of my fantasy adventure series, which has spanned 15 volumes. After working on it for so long, I’ve found that one of my favorite parts of writing is to create and evolve characters. My heroes drove the story, traveled to reveal the world, and took whatever I threw at them without voicing too many complaints.

Many people have told me that they think it’s easier to evolve a character in a long series because you have time. I’ve learned that it’s not as easy as it looks and there are plenty of pitfalls when it comes to development. The biggest challenge is making sure the characters don’t go stale and fall into a rut. While there should be a core that remains stable, you need to be on the lookout for a plateau. Once you hit that, the hero has to either retire, find a bigger mountain, or get knocked back down. How do the three options work:

1. Retire means they’re out and whatever was connected to them has to either be closed or handed off to someone else. I’m not a big fan of this unless it was planned because you have to depend on the audience accepting it. Characters develop fans who may not keep reading if their favorite is gone.
2. Find a bigger mountain means developing news skills and traits on top of what they already had. Fresh subplots and a twist in the main plot can help here. Yet, you have a risk here as well. The character may become so powerful that people no longer believe there’s a possibility of them failing.
3. Knocked back down is my favorite because it feels the most realistic. We all have our highs and lows in life, but a hero would be more susceptible. Their adventures leave them more exposed to loss and pain. If they’re kicked from the plateau then they have to get back there while battling the sense that they made a mistake. This can only be done so many times though, but it works out well for a long series because it requires time.

While not as major, I also learned that later outlines might not survive a character’s real personality. Many chapters were changed because a plan didn’t account for how I would write the character. I’ve come to depend a lot on my heroes, villains, and supporting cast when it comes to forming subplots and direct events more than my outlines. Those are guidelines for the characters to either agree to or toss in the garbage.

Again, thank you to Linze Brandon for letting me be a guest. Hope everyone who checks out Legends of Windemere: Warlord of the Forgotten Age enjoys the adventure.

Author Bio & Social Media

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world.

After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere.
He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog

Twitter

Facebook

Website

All cover art done by JASON PEDERSEN

Catch the rest of the LEGENDS OF WINDEMERE on Amazon!

Note from Linzé: You're welcome, Charles and wishing you all the best with the new release. 💜

Book Review: BLOOD AND MAGIC by Ilana Waters

An ancient, ruthless vampire. A gutsy witch hippie. Both walk into a bar.

And all hell breaks loose.

From USA Today bestselling author Ilana Waters:

Bloodseeker Titus isn’t looking for trouble—just a quick meal. But when his path crosses the witch Abigail’s, that plan gets shot to Hades.

Abigail is a member of the Paranormal Investigation Agency (PIA), a secret organization that can spell death to supernaturals. Titus vows to stay as far away from her as possible. But when Abigail suspects a high-ranking PIA member of a monstrous plot, she vows to investigate. For that, she needs Titus’s special skills.

Against his will, Titus is swept into a world of exploding gas mains, lethal bird-shifters, and sadistic vampire minions. The only way out? Uncover the PIA’s murderous secret. Which means going up against the powerful figure at the center of it all. The only problem is, that person will stop at nothing to get what they want.

Even if it means destroying every supernatural in their path.

Buy the book @ Amazon

I volunteered to review this book as part of a blog tour.

This story moves very fast from the beginning, and it requires a focused mind to keep up. I liked that. Even when the pace slows down, and it didn't happen often, there was a lot of things going on or information to be digested to keep up.

Despite the pace of the story, the plot is not complicated, and the subplots do not overtake nor dominate the main plot line. Given the pace of the main story, the lack of strong subplots was a good thing.

The two main characters' first meeting set off sparks that supported the entire story and their motivations for their actions.

Their interactions sometimes made me laugh, and the author did well to establish the kind of rapport that supported the pace of the story and the high action scenes.

Both Abigail and Titus' characters worked well in the setting and the action scenes. Although both main characters, and several of the other characters, had supernatural abilities, the author didn't use their powers as quick fixes to help get them out of trouble. The scene with the uncontrollable flying metal disc quickly drew the reader into understanding that while magic might be involved in action scenes, it was not going to be an easy answer to every problem the two main characters were going to encounter in the rest of the story.

The underlying tension of romantic interest between the two main characters remained subtle and was not distracting of the main plot, which remains the action, fantasy setting of the book.

Since prequels are invariably written after the first book of a series, the author made sure that were no assumptions needed to be made by the reader based on the progress of books that came before it in real time, and yet after it in the timeline of the story.

Overall a lovely read and the story will fall into the recommended category for readers of both witch and vampire genres. Readers who don't like romance will also enjoy this book.

My rating 

It is a new year, isn't it?

Wishing you all a happy and prosperous 2018!

Don't we all want to start a new year with hope and positivity? Unfortunately, mine did not. I went back to work on 2 January to the news that two of my colleagues had died. The first was a young woman (I do not know the circumstances) and the second was a man was murdered in a home invasion. While this is shocking and sad, it is not that unusual in this country.

While it makes me angry, I am not going to dwell on the incompetencies of our justice system or the corruption of the government. You only have to read the news to see that for yourself.

My editing badge ❤️

I would rather find something more positive and happy to write about today.

I managed to achieve several of my goals for 2017. I wrote 275 000 words, managed to complete 20 art projects and read 58 books. I did a few drawing courses and one or two to help me grow to become a better me.

Of course, the disappointments were there too. I deliberately avoid the word 'failures' because I have learnt a few things as a result, and that is always a good thing.

To list them: I did not publish the five books I had on my list. Three of them were professionally edited, so they were finished. The novel I wanted to publish last year, is still being proofread before I press that publish key on my keyboard. The other two are short stories. One is still in need of a cover (I cannot make up my mind) and the second short story is part of a trilogy. I have put it on ice until the third story is ready for publication. At least the cover of the trilogy is ready.

Lessons learnt include make more time to edit to ensure that deadlines are met. I do not like editing, so this is something I have to work at this year.

My second disappointment? While I managed to lose some weight, I did not achieve my target. Moreover, with no one to blame except myself, this will be one goal that I am taking very seriously this year too.

My goals for this year

It took me a few hours of soul searching to determine if I am ready to set new goals for 2018, or if I am going to make a list the same as in 2017.

My badge for achieving my word
count target 💙

In the end it will be a combination of both. I did some of that soul-searching at work last week and forgot to email my thoughts home. I will put my 2018 list up next week.

As part of my writing goals for this year, I enrolled in a short story challenge. After the closing date of the month, I will post my story here for you to read. I have no control over the prompts, but if you have a moment, I would appreciate a comment or two.

More exciting news!

I love StoryCubes so that I will be rolling out a writing competition from the 1st of February. The details will be made available later in the week. If you are interested in taking part, please subscribe to my newsletter. All the details for the entries every month will be emailed. No spam, I promise.

That is it for this week.

See you soon!

Linzé

Words, Statistics and Time — the creative life's little problems

Linzé's iWatch on its charging stand

I recently read an article where the blogger/author mentioned that if you wrote 1000 words in an hour, it shouldn't take you more than 50 hours to write a 50 000 word book.

It also means that a full-length fantasy or other novel, typically in the order of 100k+ words, can be done in 100 hours. Now we are talking first drafts here. Editing and all the other activities to get a book to publishable quality, are not included in those hours.

So that means NaNoWriMo should take me (at two hours per day) only 25 days to do. These two hours are what I have available on a weekday. If I double that to 4 hours per weekend day then my NaNoWriMo target should have been completed today - the 19th of November. Since I have not achieved the 50k yet, it means that I am not as efficient as I would like to believe. Based on current performance, and present word count (41010 words) I would then complete the requisite 50k words in two days, the 21st.

Crunching a few more numbers, it means that I have only been 90% efficient at using my time this November. Using 30 days out of a potential 365 days of writing is not a large enough sample to draw any conclusions.

So I went to my word count spreadsheet for the year to see how efficiently I have used my time this year, so far. To do the math correctly, I can therefor only count the days until today - 19 November. This means my calculations must be done for 323 days if I include today.

So here is what my numbers for the 323 days of 2017 look like:

Writing: 208130 words

Editing: 126.5 hours

Until now there were 45 full weekends (ie, 2 days) plus one weekend day (today). I counted Saturdays, but it makes no difference since 1 January fell this year on a Sunday.

So that gave me 323 days x 2 hours per day + 90 weekend days x 2 additional hours per weekend day + today's 4 hours = 830 available writing hours

At 1000 words per hour, I should have written 830 000 words this year!

Let's work with hours; the numbers are just smaller to use for the calculations. Based on the 1000 words per hour premise, I had been writing for 208.1 hours up to today. Add the editing (because I can only do one of the two at a time) my total hours spend on writing projects so far were 334.6 hours.

Now my efficiency does not look that good anymore, does it? Crunching the numbers one last time gives me 334.6 / 830 = 40%.

I have used only 40% of the time I have allocated for writing this year. If this does not bother you, you can rest assured, it bothers the freaking daylight out of me!

To be honest, I type about 1200 words in an hour, which is not helping my case at all.

So where did things go wrong? Alternatively, did they go wrong at all? Am I deluding myself into thinking that writing for two hours per day is what is happening?

Reassessing my writing time slash writing life:

1. I don't suffer from writer's block, never have. So if I don't write, there must be other reasons for not writing - exhaustion, illness, and other obligations. These things happen, I am only human.

2. I read a lot. Since I work full-time, I have to choose between writing or reading in my spare time. Reading does not make me feel guilty for not writing, so those hours (which I have not kept track of) probably account for a significant portion of my writing hours not used for writing. To date, I have read 45 books - not nearly as many as I have done in recent years.

3. Studying. In September and October, I did a management course (on my own time) which required 60 hours of studying and assignments. It inspired me to change direction in my professional life. That means that I am now studying towards my diploma in Life Coaching. Again, hours taken away from my writing time.

4. Art. I have made it a point to do more art this year, and I have. The exact hours recorded are lost in a file that I cannot recover, but I did not spend them writing when I used pencils or paint brushes.

As I sit reading what I wrote here, I realise that I haven't done that badly at all. I completed Camp NaNoWriMo both times on target, I am about to finish the 50k version in the next two days, and while my fourth novel is late, it will still be published this year.

However, I have to ask: was I only 40% efficient? Judging by the numbers, I would have to say yes. However, this is my life, and while numbers don't lie, they simply cannot tell the whole story with all its plotlines, intricacies, and surprises.

Time is the most precious resource we have, and maybe I shouldn't use the number of words I write as a measure of how I spend my time. At least, not as the only parameter. A qualitative element could be more useful. Was that hour, day or week's time happy, satisfactory or fulfilling instead. Something to consider as the approach of a new year lends itself to a new way of doing things.

Until next time!
Linzé

Eyes wide shut...a book review

The Unstoppable Creative by Todd Brison

I don't know about you, but I have been getting tired of the new 'writing books and courses' that are being advertised all over the internet. I mean what's wrong with the thousands (yes, thousands!) of books and courses already available? Are authors now telling the rest of us that writing is not the thing anymore, it is teaching? Then I guess we should go into teaching.

Personally, I own more than a handful of books about writing, writing better, writing for the internet, blah, blah, blah. Instead of reading more books about writing, I have been looking for books about being a writer. Yeah, there is a difference, and a big one too.

So it was with real anticipation that I volunteered to review Todd's latest book, The Unstoppable Creative. And it is not just for writers. Or artists. Most of us think that unless you do art, or are an author, you are not creative. You couldn't be more wrong because Creativity (with a capital c) comes in many forms.

What I particularly liked about the book is that the author doesn't tell you: Now THIS is the best way. There are many, many articles and books out there to tell you that to be successful or be the best writer or artist, you have to do the next five steps, and bam! Success rolls in the front door.

For those of us who have been in this game for a while, it is more a question of if it's not working for me, what can I learn for it to make my situation work for me.

There are no quick fixes, but there are ways for creative people to get more from the hours that they do have. And before you roll your eyes, no there is no ONE solution. As much as my life, my writing, and my art differ from yours, a strategy that works for me will probably make you break out in hives.

The Unstoppable Creative is a book for people to understand what creativity really is, and how you can develop a strategy (and plans) to make your own creativity work for you. How you can make your own creativity earn money for you.

As with any changes you start with yourself and your way of thinking about your life and your creativity. The author does mention people who have made things work for them, and not all of them in a way that you might think. It is a focus on learning and understanding and often outside your usual situation. Since I study a wide range of topics, it is this outside-the-box approach to learning that resonates with my own philosophy about my own creativity that I appreciate about the book.

Writers and other creatives need to understand what it is they truly need to do to grow in their art, in their own person, to achieve what it is they want out of their art. The author outlines the limitations we create for ourselves, the wrong stories we tell ourselves and believe, that destroys the opportunities we might have seen as a result.

But the book also helps us to understand how we can overcome these limitations. How we can set our own course and that we don't need much beyond our own belief in ourselves to live the life we want.

My creative life starts with me, and if you want to take that step too then this book is a must-read for you.

My rating: 

NOTE: The book launches today. If you are interested in where to find it, please pop over to Facebook or Twitter where I will share the link as soon as it is available. 

💜  LinzéB

Why do we write? Let me count the ways by Richard Beynon

Why do throngs of people around the world feel the urge to record their thoughts and feelings and observations, but, more than that, to shape them into narratives that engage and enthrall others?

The internet age – with its promise of instant publication and worldwide distribution – has ushered in millions more writers who dream of firing the imagination of readers, and making a mint of money in the process.

But it’s not simply money that drives us, I don’t believe. Even the most commercial writers who crank out an annual thriller or detective story in time for the Christmas rush, are driven at least partly – and I suspect, mostly – by the thrill of creation.

Because it’s out of the threads and tangles of our imaginations, fed by our observation of the world and its players, that we weave our stories. And that act itself nurtures the powers of our imagination, and sharpens our observation of the world. There is instant reward and gratification for creating stories – and the more skillful we become at shaping these stories, the greater the reward.

Perhaps it’s because the act of writing calls on our whole selves in a way that few other – if any – activities do. Not only does it yoke the active and fluid imagination, it also calls on all our powers of critical reasoning.

Many of us have remarked on how totally lost to the world we become in creating our own universes. This is little wonder, given the complete commitment that writing demands and elicits.

Writing plays a subversive role amongst the snarls of our own prejudices. We might create a villain who embodies all the vileness we’ve encountered in others – and then find, when we stand in his shoes, that there are vulnerabilities and weakness present that, while they might not excuse him, make him human, and capable, therefore, of remorse and redemption.

One of the injunctions directed at writers of fiction is to give their antagonists the best arguments. Thinking your way into the logic of a bad character - or even a character very different from you - yields surprisingly good insights and will develop sympathies that could, not to put too fine a point on it, expand your moral horizons.

And then, of course, whenever a writer plugs in her laptop, or uncaps her pen, she embarks on a hero’s journey of her own that at once generates surprises, heart-stopping climaxes but above all direction. Every story you embark on constitutes a project with its own imperatives and goals.

Ursula le Guin, author of the magical Wizard of Earthsea, dwelt on what writing means to the writer. She wrote, “A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well, they strengthen their souls.”

Perhaps we should encourage others to join the throng.

Happy writing,

Richard

💜 

For more writing tips and a little motivation click here to read Jo-Anne’s latest blog, Writing Secrets: Sentences aren’t strong men – don’t overburden them and click here to read last week's Monday Motivation: The bigger the story, the larger your lens

💜

Note from me: The post was reblogged with permission from Richard at www.allaboutwritingcourses.com

Review: The Blue Unicorn's Journey to Osm by Sybrina Durant

illustrations by Dasguptarts

It is a story for young adults featuring a tribe of unicorns threatened by an evil overlord. It is mainly a story about finding friendship, love, and learning to fight together to defeat the evil that threatens them.

Buy the book: Amazon

The main characters set off on a journey to help fulfil the prophesied destiny of Blue, born without a metal horn. The story details their adventures and how they all learned that together they could find their way back home.

It has been a long time since I read a story intended for a much younger audience, and I did enjoy it. The illustrations (watercolour paintings) were bright and depicted various scenes throughout the story. The colouring book option, I am sure would appeal to the intended audience.

Given the nature of the story, I would say the book would appeal more to girls than to boys.

I reviewed the PDF version of the book, and here was the only thing that detracted from my enjoyment - the font of the text made it difficult to read, even on a computer screen. I don't know what the other formats look like, but a different font (such as Times New Roman) would have made it an easier read.

Overall a nice story, and worth reading.

My rating: 

(the review is part of a b00kr3vi3ws blog tour)