Book Feature: SOMETHING OLD, SOMETHING NEW (an anthology)

Something Old, Something New
- A DRA Production

Seven bestselling authors. Seven incredible second chance romances. One epic anthology. 

What would you do for another chance with the one you love? 

Something Old, Something New - a unique novella anthology - tries to answer this question with fantastic, different, desi dramas. 

Whether it is shapeshifters or shifting interracial relationships, single moms in small towns or rich alpha heroes, friends-to-lovers or passionate ex-husbands; this anthology has something for everyone. 

Something Old, Something New explores the many different facets of love, forgiveness, fated mates and more in seven, distinctly Indian tales!

My Heart's Regret by Shilpa Sure

All they had was love...would it ever be enough?

Samaira Reddy, the girl in the big house, the Bade Sahib's daughter, only wants one thing and one person...a life with her childhood sweetheart, her Rags. 

Raghav Cherukuri has always been known as the driver's son. And has also always loved his Sam, the girl he can never have and never forget. And so, he leaves her and his life in Hyderabad behind.

But now, Raghav is back. A Chief Officer in the Merchant Navy, he is the success he’s always wanted to be. And yet, he has failed. 

Samaira is meeting the ‘perfect groom’ her family approves of…A man whom Raghav can never be.

Can it finally be their time to be together? Or has their happy-ever-after passed them by?

Read an Excerpt from My Heart's Regret

“Why did you leave?” The question shot out of her taking them both by surprise. They stared at each other, a wealth of memories flooding the space between them. Years of hurt, months of pain and a million unspoken words crowded around them.

“Don’t.” He turned away from her, shaking his head. “Don’t do this.”

“Why not? You don’t think I deserve any kind of explanation?” 

He opened the rear door of the car in response. “Are you ready to go home?” 

“Home?” She laughed, a bitter sound that floated in the air. “Is that still home to you?”

“Are you ready to go back to your home?” The slight emphasis felt like a slap across her face.

“And that’s the truth of it, isn’t it?” She watched his face for a clue to his feelings. She found none. He was as stone-faced as ever.

“You don’t think of it as home anymore. When you left, you didn’t just leave to study and start your career. You left everything behind. Your home. Your past. Your…”

“Yes.” His acceptance cut her off mid-rant. “I left it all behind. The poverty. The insults. The humiliation. I left my life here behind.”

“Is that all you left behind?” The words sliced through the night like a knife.

Raghav just stared at her, his eyes a cauldron of bottomless emotion. On a growl of frustration, she slid down from the car and stomped towards the door he still held open. Yanking it from his hand, she slammed it shut. Then she walked around the front of the car to the passenger door and got in.

A storm was coming. A loud rumble of thunder could be heard and the wind was picking up outside the car. It blew a lock of his unruly hair into his eyes. 

He didn’t notice but she did. Even through the tears stinging her eyes, she noticed everything about him. 

Raghav continued to stand, motionless by the rear door, his tightly clenched fists the only evidence of the emotion raging inside him. The first drops of rain started to pelt down drenching him in seconds.

Finally, he moved towards where she was sitting. Leaning down, he rapped on the window to get her to put it down.

Samaira obliged, arching an eyebrow in challenge.

 “Get out.” The words were gritted out through clenched teeth.

“No,” she snapped the word out.

“Go sit in the back seat.”

“No,” she said again as she settled more comfortably into the seat. 

“Sam, if someone sees…”

“Let them.” She couldn’t care less.

“Sam, please.” The plea was quiet, but it sliced through. “For my father’s sake.”

Her heart broke at the words. She swiped at the tear that escaped and rolled down her cheek. Without looking at him, she stepped out of the car and got into the rear seat. 

Raghav slid into the driver’s seat and put the car in gear.

They drove home in silence, each lost in their own tortured thoughts. It wasn’t long before her house loomed in front of them. 

They were almost at the gate when she spoke, “Are you happy?”

His hands tightened on the steering wheel. “Are you?”

She laughed. The mirthless sound echoed between them as Ahmed Chacha waved them through the gates. “You’re not going to answer any of my questions, are you?”

Raghav sighed. “What’s the point of this conversation? Discussing the past is going to bring us nothing but more pain.”

“Alright. Let’s talk about the present. Why did you come back?”

Raghav brought the car to a halt outside her front door. “I came back for my parents.”

“Never for me,” she murmured. “You left me without a second thought.”

Raghav, who was holding her door open, froze at the soft words. She stepped out of the car and around his still form. She wasn’t going to beg him for answers anymore.

“The thing is, Sam,” the whisper reached her through the violent noises of the stormy night, “You left me first.”

About the Author:

Shilpa Suraj wears many hats - corporate drone, homemaker, mother to a fabulous toddler and author.
An avid reader with an overactive imagination, Shilpa has weaved stories in her head since she was a child.
Her previous stints at Google, in an ad agency and as an entrepreneur provide colour to her present day stories, both fiction and non-fiction.

Giveaway:

First Prize - A Kindle

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Art Journal 2020: Amor Fati

This week is the second in the series #JournalArt2020 dealing with the theme of stoicism. This week my entry is about Amor Fati - to love your fate.

1.  Start again with a blank spread, but this entry involves a third page (kept single). There two outer pages were glued together again with gel medium, but there is no painting involved in this entry, so you don't have to glue to outer pages.
I used gel medium, because the pages in this particular book bleeds with the markers and I didn't want that to spoil the other pages.

2.  This entry uses two stencils. The primary design use this tree stencil, but you can use any tree stencil that you like. It just needs to be wide enough to cover at least half of the two pages in the spread.

The second stencil is shown further down.

3.  Use a waterproof pen and draw the stencil outline on the spread close to the middle.
Mark the edge of the stencil (shown here with the green and purple arrows) in pencil.

Cut around the tree but leave enough space at the bottom to cover the tree and tree trunk when the single (middle) page is turned over.

Flip the stencil and draw the tree on the other side.

4.  Here you can see the flip side of the page. 

The pencil marks on the page were used to align the stencil to ensure the overlap is as close as possible. It does not have to be perfect though.

The tree on the left-hand side of the spread is not visible.

The stencil outline was flipped with the tree trunk now leaning the other way.

5.  I used ink and a dry art sponge to colour the pages around the tree, also in between the branches. But I made sure not to cover the lines of the tree itself.

You can also use a dauber or your finger to get the same effect with the ink.

6.  I couldn't get enough coverage with the ink and sponge and decided to use a colour pencil as well. It is a soft pencil and I made sure to hold it fairly horizontal so that it didn't make obvious lines when I used it to fill in the background.

The pencil is almost the exact same shade of green as the ink I used. I was lucky because I didn't plan on using coloured pencils for this entry. I was however, very pleased with the final outcome. Will definitely consider using coloured pencils again.

7.  I used Lyra brush markers in light colours to colour in the tree on the green side of the entry.

The tree trunk was done with a brown marker, and I used the same brown marker on the other side of the page.

This side symbolises the lighter (happier) side of life.

8.  I made the right-hand side of the design in purple. Using ink on the edges with the dry sponge, and then used two coloured pencils for the colouring in the rest of the pages around the tree.

Then I coloured the tree with dark colours from the Lyra brush marker set.

This side symbolises the heavier (difficult or challenging) side of life.

9.  The pencils: Koh-I-Noor Hardmuth Progresso Yellowish Green, French Pink, and Bordeaux Red.

The inks: Distress Ink Twisted Citron, and Seedless Preserves.

10.  Add the text "Amor Fati" to the green side with a waterproof pen.
I drew circles in random sizes around the green side and coloured them with the same light coloured Lyra brush markers you saw in (7).

The circles were done with a stencil (11).

11.  Repeat the circles on the purple side of the design and colour with the darker brush pens shown in (8)

I did not colour all the circles in the purple entry, to add to the symbolism of emptiness or difficult times in life.

The stencil is shown here.

The words "love your fate" is added to the purple side and shown in (10)

The final design with two quotes from Epictetus added with the

black UniBall waterproof pen (0.8mm nib)

"Don't seek for everything to happen as you wish it, but rather wish that everything happens as it actually will--then your life will flow well." ~Epictetus

"It is easy to praise providence for anything that may happen if you have two qualities: a complete view of what has actually happened in each instance, and a sense of gratitude. Without gratitude what is the point of seeing, and without seeing what is the object of gratitude?" ~Epictetus

Until the next instalment in this series!
Be creative and love your life, just the way it is.

💜 Linzé

Managing ideas: a new method for me

  This year I have been trying new things, and that includes managing those new ideas. I have often read and heard people say to you should carry a notebook with you to jot down that "idea" that pops into your head at the oddest times. To be honest, I have done and said the same thing for many years. My problem is, that most of my ideas strike when I am writing in my journal and then those ideas get lost because I don't make the effort to rewrite them in that ideas notebook of mine.

Notebook, pen and bag

  About two weeks ago I came across a website about this very thing, but it is a touch more comprehensive than keeping a notebook. It is called the Zettelkasten method and it uses cards for noting down those ideas. I have tried cards in the past too, but they have never quite worked for me. What I liked about this method, is that the system caters for follow-up ideas and notes, without having to use bigger cards, or more notebooks to keep your notes together.
  Since I have been trying it for only about two weeks, I have not yet found anything not to like about it, but to be honest have not used it that much either. Not for because I lack ideas, but I am focused on #inktober52 mostly and immediately sit down to sketch my idea(s) since the deadline is a week away and there is not time to waste if I want to keep up.
  More on this method as I use it, but give the Zettelkasten method a try, it might just be thing you have been looking for.
  Speaking of new things. It is Valentines Day this week, and if the blog host sends me the info in time, there is a new book for you to explore this Friday. 
  Also a new #JournalArt2020 post on Thursday, and my next newsletter is out tomorrow with something special for subscribers.

But now it's time for me to go see to a few chores in preparation for the week ahead.

Until next time!
💜 Linzé
  

Art Journal 2020: Love (a guest post)

Today I have the pleasure of my friend, Vanessa Wright's #ArtJournal2020 contribution. She loves using zentangles in her art journal, and I thought it a good idea to let her tell you how she approached this art journal about LOVE using zentangles.

Zentangle was invented by a monk, Rick Roberts and an artist by the name of Maria Thomas and meditation met art. This method of drawing promotes concentration, creativity and personal well-being. This art form is traditionally drawn on 9x9 tiles.

2020 saw the beginning of an exciting art journey for me and my friend, Linzé Brandon. We started art journaling. After reading up on a few articles and watching endless YouTube tutorials, I finally knew which direction I wanted to take regarding this art form.

• First and foremost it needed to be a personal journey, not just random art for art's sake.
• Secondly, I wanted to do something that had only rarely, if ever been done. I had been part of the Tangle all around Facebook group, run by Alice Dean Hendon for nearly a year and yet had any artwork to show for it. This was the perfect opportunity.
• Thirdly I wanted to be able to look back at the pieces and see whether I had gown as an artist. 

Here is the process I used for this zentangle art journal entry:

1. I decided to repurpose an old hardback book which was missing a few pages and was doomed to be thrown away. As the pages were stitched and not glued, I was able to rip out nearly half of them.
2. I then glued 3 pages together by applying gel medium and added two layers of gesso to prepare them for anything I wished to throw at them. I was worried that the text, which was still visible, would impact the artwork, but my acrylic background covered it effortlessly.
3. I mixed sap green and lemon yellow and lightened areas with titanium white which I applied directly to the page.

   

   Zentangles around a cut out

4. Sap green and some fingerprint action made the edges slightly darker.
5. I cut out paper hearts, printed the quote and the word, love, and stuck them in with gel medium.
6. I used washi tape to divide both pages. Do not tangle with expensive Pigma Microns on this surface, use a cheaper Artline pen or a Sharpie as it destroys the tips of the Micron pens.
7. Tangle carefully to avoid smudging. There are literally thousands of tangle patterns available on the web; the sky is literally the limit.

I like the simplicity of the finished page as most of the art journaling tutorials I watched were so overdone and involved stencils and stamps and paper and magazine cut outs and and and....

This was why the zentangles appealed to me. I hope you are inspired to try this, so relaxing and super fun.

The final result of the zentangle art journal entry

Thank you, Vanessa! Phew, that must have taken quite a bit of time and I know you enjoyed every moment.

If you like to use zentangles in your art journal, why not share them with me on Twitter with the #JournalArt2020, I would love to see what your creative results look like.

Until next time!

💜 Linzé

Art Journal 2020: Memento Mori

Welcome to #JournalArt2020! This is a blog series of actual art journal entries that I am doing this year.
Since this is my first time doing art journaling, it may not be as pretty as you see on YouTube, but these entries are personal, that I can assure you. I decided to keep to my theme of Living in Balance, and started the series with Stoicism, as I am a practitioner of the philosophy.
Enjoy!

I started with two facing blank pages. Both of which were glued together with gel medium and allowed to dry overnight.
The pages are a dark beige colour, but the colour of the paper does not matter because I was going to paint it.
The first layer was done with white gesso to seal the paper and prepare it for painting.

I left the right-hand page mostly unpainted - the gesso is visible here.
I painted the middle of the spread with grey acrylic (I mixed white and black).
Then I roughly painted about 90% of the left-hand page with black acrylic paint.

The rough textured look was the look I wanted.

I used this drywalling fibre tape as a stencil with textured paste next.

I found the tape in a local Builders Warehouse store. The tape is quite sticky, but I soaked it in water, then dried it so that it won't stick to the page. 
It was still sticky after soaking it, but it worked well because it was damp and I could peel it away.

You can see the dried textured paste on the left-hand page where I used the drywall tape as the stencil.

I added the black and grey washi tape to the bottom of the page on the right-hand side, before adding another stencilled piece.

I used the flower stencil on the right-hand page with the same textured paste and a pallet knife. It went over the washi tape at the bottom. This was intentional.








I then finished the entry with more washi tape, stickers, and painted the flower with acrylic paint. Lastly, I added the text in white on the left-hand page, and black on the right-hand page.

Left-hand page text reads: Memento Mori (top)
Remember we will die (bottom)

Right-hand page text is a quote by Seneca: "It's not at all that we have too short a time to Iive, but that we squander a great deal of it. Life is long enough, and it's given in sufficient measure to do many great things if we spend it well. But when it's poured down the drain of luxury and neglect, when it's employed to no good end, we're finally driven to see that it has passed by before we even recognise it passing. And so it is - we don't receive a short life, we make it so."

Memento Mori: final art journal entry #JournalArt2020

Materials:

• white Faber Castell brush pens
• black Faber Castell Pitt pen
• white gesso
• acrylic paint: black, white, yellow, red, green, blue (purple was mixed with red and blue)
• stickers: butterflies, clock, stars, skulls, bones.
• washi tape: black/grey/white, flowers, leaves.
• fold back clips to help hold the pages down while working
• paint brushes - small round

Until next time!

💜 Linzé

Art Journal 2020: Balance

Art Journal about work life balance in 2020 (mixed media)

  I have always thought that art journaling would take too long, and that would make me lose interest. Late last year I watched loads of YouTube video clips, and read even more blogs on the subject before deciding to try my hand at it.
  After trying one entry (above) I am hooked 😍. Since I had no idea how it was going to turn out, I only took a picture of the end result. There are many more art journal entries coming this year, and for those I have/will take many more pictures in case you want to see how I did it.
  I decided to spare you the pain of listening to my voice, so no video clips, only text and many pictures to tell you how I did mine.
  Thursdays will be for art journal sharing on the Broomstick. Want to share your own efforts? Please do so on Twitter (#JournalArt2020), since I would love to see how your art journal develops in 2020.

💜 Linzé

Blog Calendar: January and February

  Need a boost for a new book, artwork, blog post, or some other creative project? Or maybe an older project needs a bit more love? Give me a shout and I would love to help out. Rules and requirements -> here

  Reserved = my spot. I need some of my own time too 😜
  The hashtag shows the dates when #TheTinyBroom tweets. Pick your date right and get an extra boost with #TheTinyBroom.

  Oh, and it's first come, first choice, no exceptions! Thank you for understanding.

Remember to use the link here to send me the details. Replies to this post, or any other PMs and DMs will be ignored. Thank you!

Don't want to miss out on more news, special events, or discounts? Sign up to my newsletter - it only pops into your inbox once a month. Promise.

💜 Linzé