Sunday, 27 October 2024

PRIME PLEDGE by Linzé Brandon (Book 8 in the Nations of Peace series)

PreSALE offer - get the book BEFORE its release on 1 December 2024! 

Wolfgang Hauer is not just a businessman, he is the Prime Alpha, prince of the vampires. Like all the males he craves the relationship with his soul-mate. Cursed into blindness by a vindictive lover, he is deprived of the chance to see the tiny flame in the eyes of the woman who would fulfil that craving. Until he meets Isabeau, whom he knew was going to change everything ... including his future.
Isabeau D'Amour is the epitome of beauty with her long, curly black hair, flawless skin and deep green eyes. But she has the brains of a brilliant engineer and researcher in the field of medical robotics. And yet underneath all the beauty and brains hides her true nature: she is a ritual healer, Karri'anah. Revered by the vampire clans for her abilities, she is cursed by her bloodline. She needs to be loved to be beautiful.
Meeting Wolfe stirred emotions inside her heart that she didn't know was possible. But when she learned of his curse, how could they possibly get involved if she wasn't his soul-mate and then deny him the chance to meet the woman he craved?
Sinister forces threaten their lives and family disputes are not helping them figure out if there was a future for them. But Isabeau quickly learned that Wolfe wasn't someone who took those threats lightly as he rallied his cousins around him to actively search out and take the threats head-on.
Prince or not, Wolfe was not going to let his chance at happiness slip through his hands. He would make sure that people understood that being Prime Alpha was not about being royalty, it was about responsibility, and protecting his people and his soul-mate, no matter the cost.

PRIME PLEDGE is available from these online retailers:




Take a look at the rest of the series here





Tuesday, 22 October 2024

BOOK FEATURE: The Medusa Psalms by Kyle Toucher

     This book is a collection of 10 stories and 2 novellas, taking place within, or tangential to, Walpurgis County, a place benighted by fallen angles and old curses, pockets of time dilation, and a sinister cult fixated on the end of all things. Overlooking the entire place broods Walpurgis Peak, a snarling ogre of a mountain, beneath which a comatose entity convalesces, kept alive by a colossal bio-mechanical atrocity, known only as The Machine.

     Connected by events and recurring characters, whether taking place in the 19th, 20th, or 21st centuries, the history and lore of Walpurgis County revealed through the stories of those who lived it.  Exorcisms and scarecrows. A wicked mountain and an unaging house. Disintegrating family and a lonely motel. Demons and monsters. Alternative history and the end of all things. Methamphetamine and Slayer.


👉👉  BOOK TRAILER  👈👈


🔖Get the book on Amazon here


Excerpt from 'Billy Beauchamp and the Monster Cartel'

Scarlet, leaning to accommodate Fate, gazed up at me. The twins wore a plain white dress of mismatched sizes, no shoes, and a garland of flowers arranged in each mane. Scarlet, the pagan maiden eager to plunge into the volcano. The look in her eye told me she had resigned herself to that day and had not that sacrifice spelled doom for her younger sister, I felt she would have acted on it there and then.

I felt sorrow for her. Though so pure and unafraid, I saw a future in service to monsters as they feasted on tentacles, traumatized children, and walked the endless line between desolation and damnation.

The conjoined sisters turned away and joined hands with the others. Six girls formed a perimeter around the magic weave. A freakish sight by any measure, but it would be a crude disservice to refer to these young ladies as freaks. In the Purg, bones fused in ways not seen, bloodlines ran long and true. Haunted and hunted had found refuge here, despite the bloody knife of Walpurgis Peak and the terrible events shat upon its slopes.

Pneuma,” said the tallest of them, Destiny I believe. Her twin, Candi, half her size and nearly half her age, repeated the word in a whisper.

Haima,” said another.

Mystiko,” said a third.

The last time I heard Greek, Lena and I were in a restaurant in Studio City, and she had to order for us because I was about four Ouzos into a future DUI. But in the presence of Penny Brynnwick’s daughters, their words were clearly understood: Breath. Blood. Secret.

One second the magic circle was an ugly nightmare of lines and symbols―the next, an icy extrusion of light burst from those same lines. Shadows splashed throughout the Grand Room, and somewhere in the hollows of my heart, I knew if I stared at this shadow theatre long enough, I’d catch a glimpse of what waited out there, in the Elsewhere, that place of abandonment The Proprietor lamented over, the place where the monsters were left behind.

The temperature dropped. Serpents of frigid air slithered through the Grand Room. In their linen dresses and bare shoulders, these barefoot girls made me feel like a coward for shivering in my long sleeves, jeans, boots, and leather vest. Their hair, caught in the gale, sought the center of the conjuring rug.

🔖Get the book on Amazon here

About the Author: Kyle Toucher


Kyle Toucher is the author of the novel Live Wire, from Crystal Lake Entertainment, the novella Life Returns, and the Black Hare Press release, Southpaw.

He recently appeared in the anthologies Dead Letters: Episodes of Epistolary Horror and To Hell and Back, from Crystal Lake and Hellbound Books respectively.

This September, expect his first collection The Medusa Psalms: Welcome to Walpurgis County ―also from Crystal Lake Entertainmentto rise from the slab of a coroner's office near you. Ten stories. Two novellas. One benighted landscape.

Chat to Kyle on social media

X: @kyletoucher

Instagram: @kyletoucher




Tuesday, 30 April 2024

A-to-Z blog challenge: Step Z - it's finished!


Thank you for visiting my blog on the last day of the challenge. If you are an artist interested in taking part in a competition, there is still enough time to enroll. Check out the details on the AGAC website.

I will probably put the painting in an exhibition for sale, and before that happens I will sign it on the front, and then give it two coats of satin varnish.

Sharing the painting on social media can only happen once the competition is closed and the winners are announced.

But here is the first social media slash public image of the painting I entered in 2023. It was based on a painting by Wassily Kandinsky. Mine is titled Duality and it is for sale. It is a 120cm x 76cm mounted wood panel done in mixed media.

Painting image, Duality, mixed media painting after Kandinsky, copyright Lizette dV-Venter
Mixed media on wood (2023)

Stay creative until we meet again.

🇿🇦💜 Linzé


 

Monday, 29 April 2024

A-to-Z blog challenge: Step Y - submission process (part 2: the paperwork)


 No one likes paperwork, that's for sure, but rules are rules. Part of the submission process is to fill out the submission document which you receive when paying the entry fee.

Once the organizers acknowledge receipt of all the files, then the painting is officially in the running for the competition.

Multiple entries are allowed, and that also means making sure the paperwork is submitted correctly for each art work.

Once I press the send button on my email, I relax and take a deep breath. Even as I write this post knowing that I still have to do the painting, it is still exciting to look forward to the process of creating a something new that will decorate a wall somewhere.

Until tomorrow!

🇿🇦💜 Linzé


Saturday, 27 April 2024

A-to-Z blog challenge: Step X - submission process (part 1: the painting)

 


Depending on the paint medium, it is a good idea to take the required photos before varnishing the painting. Oil and acrylics tend to be shiny and will make for challenging photos especially if using a glossy varnish.

I prefer a satin varnish for both oil and acrylic paint, but it does depend on the painting. My husband is a professional photographer so I ask him to take my photos for me. Not because I can't take photos, I can, but it is about the colour correction afterwards. I am useless with Photoshop.

So I stand next to him with the painting in hand, while he adjusts the photos to accurately reflect the colour of the painting. Since I paint on a panel, not a screen, no other adjustments or corrections are allowed.

The file type and size restrictions need to be taken into account too. After my husband does the colour adjustments, I take the final files and resize them, or export them to the required file format.

The competition organisers want more than just the pretty pictures. More about that on Monday.

See you then!

🇿🇦💜 Linzé


Friday, 26 April 2024

A-to-Z blog challenge: Step W - action steps (part 7: the last decision)

 


The last decision is sometimes the most difficult to make for many artists. I am no different. And that is the decision to stop fiddling. The painting is done and it is time to stop.

Knowing when that happens, requires stepping back and leaving the painting alone for a day or three. I usually cover it up too. If the painting it still drying, I will add clips to the easel to keep the dust cloth away from the drying surface. It will still allow airflow for drying, but covering it up takes it off my mind in a manner of speaking.

Overworking a painting can destroy many hours or weeks of work, so that decision to stop is crucial. I have been known to spot a flaw and fix it. Stuff like a spot of dust on a dark area, or a hair in a light area. I have very long hair, and it will show so I will fix that. But no touching the painting otherwise. After three days I will remove the dust cloth.

At that point my gut would tell me that it is finished. This gut feel comes with experience, and is impossible to explain. I just know it's done.

Signatures are not allowed on the front of competition paintings, so I will sign it on the back. Once I sign my initials, to my creative brain the project is done and I can move on to the next.

Until tomorrow!

🇿🇦💜 Linzé


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