A-to-Z blog challenge: Step P - action steps (part 3: painting the first layer of colour)

In the painting shown here, I painted the background first covering the whole surface with a buff titanium (tan) colour, starting in the middle and progressively making it darker toward the edges.

Oil on paper

Then came the large coloured areas of the wine, before adding the details of the highlights, shadows and glasses. This was done with oil paint on paper as a group project for my art group.

For the competition I will basically do the same. Paint the background first in the shades of colour I need from light to dark. I find it easier to go darker with a colour, so I always start with the lighter tones. If I paint over my outline, that is okay, since I keep my paper “stencil” until the painting is completely finished before disposing of it.

Large areas of other colours can also be painted. If there are contrasting colours, or complementary colours, I will wait until the first colour is dry before painting the second colour to prevent any muddy areas.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step O - action steps (part 2: outline)

 I am now ready to start on the painting. If I want a dark background, I paint it and then use chalk to draw the outline. If I want a light background, I will use a graphite pencil, usually 2B, to draw the outline.

The outline itself can be tricky because the painting is based on another painting. Since my competition painting surface is larger than the original, I taped several sheets of drawing paper together and trimmed it to the same size as the panel.

Using the thumbnails (See Step I) and tools like a compass or ruler, I draw my design on the taped sheet of paper. This will give me a better feel for the design, and this is also the time to make any adjustments I need for the new size.

Once I am happy with the design, I often cut out the elements without destroying the paper. This means that circles or other shapes can then be used to make, cut, design, or fit the mixed media elements before adhering them to the painted surface of the panel.

The remaining design is then traced like a stencil onto the panel with chalk or a pencil. I trust my “drawing brain” and will then redraw freeform shapes and subjects or tweak them as part of the transfer to the panel.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step N - action steps (part 1: surface preparation)

 

Since I paint on wood rather than canvas, there are a few steps before I can start the actual painting.

Wood is a natural product, so it must be sealed before applying any paint. You can paint directly on some wooden surfaces. Still, it is better for mixed media work to first seal the surface with a suitable sealant.

Depending on the wood and sealant, it might be necessary to sand each layer before adding the next. I typically don't sand between the layers since a slightly rough texture adds character to the final painting.

I typically seal the painting surfaces (front and sides) with two layers of sealant and the back surfaces (mounting structure included) with one layer. This helps to protect the wood since I use a sealant suited for indoor and outdoor use.

Next is one to two layers of gesso. The number of layers and type or texture of the gesso I use depends on the painting I want to create. Textured gesso will also contribute to a more textured surface. Canvas is textured, while wood is smooth.

Painting on wood gives me more options, although pre-stretched canvas is already primed and ready for painting. The more rigid surface also lends itself to a broader range of techniques and mixed media options.

The weight of a wooden canvas is often considered a drawback, but unless the painting is really big, the weight is usually not a problem.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step M - planning (part 4: action steps)

 Welcome to the continuance of my posts about my process of submitting a painting to a competition. If this is your first visit to my blog, check out the competition website and share with an artist friend who might be interested in taking part too.

Now back to my process. In this post I am going to list the steps, with follow-up posts adding more detail or information.

1. Surface preparation

2. Outlines

3. First layer

4. Mixed media elements

5. Painting details

6. Finishing

There will also be three posts (between No 4 and No 5 above) about taking a break during painting. This might be the most important step in the whole creative process!

Until tomorrow!

🇿🇦💜 Linzé

PS: You can also subscribe to my Creative Muse newsletter on Substack. I am lazy, so don't worry there will not be spam happening.

A-to-Z blog challenge: Step L - planning (part 3: schedule)

 

At the time of writing this post, I am still waiting for some final details on a commission of six charcoal drawings. On top of working on the final edits of my next novel, planned for release in December, an increasing workload at the lab, and all the other things I have to do, planning time to paint is essential.

I belong to two art groups, one of which I am the teacher, and I schedule time on my calendar weekly. However, scheduling time is not easy, given the amount of time I need for larger paintings. Every painting is different, and preparing the materials for mixed-media work takes longer than we think.

For the 2023 painting, I had to redo some of the elements three times because I miscalculated the sizes or got the colours and shapes wrong. Because I had a plan and a schedule to work on the painting, I managed to do everything to have the submission ready before the deadline. Imagine how miffed I was when the organizers extended the deadline because other artists wanted more time—and this was for a competition that ran from March to September!

Anyway, I allow enough time for all the necessary steps to have my painting ready a few weeks before the deadline. If something goes wrong or I must redo something, I will not need to ask for an extension. But that's just me! 😏

Next time, I will share the steps for the painting and how I plan my time accordingly.

Until Monday!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step K - planning (part 2: medium and materials)

 

As much as I like experimenting with paint and other materials, there is simply not enough time to do that when preparing a competition submission. This means that I need to spend more time thinking and planning than I normally would with a painting.

I love mixed media that includes materials not usually found in the fine art section of my local art stores. The paintings shown here were sold in an exhibition last year, and I used diamond dots, fabric, and wooden sticks amongst other things.

Abstract landscapes
- mixed media

These paintings had me stumped for a bit, but once I got the idea to use the diamond dots, there was no stopping me. Will I be using diamond dots for the 2024 competition painting? No, but I did consider it. Given the theme, I wasn't quite so keen on the idea. Of course, there are a multitude of materials available that will be more suitable. I even rummaged in my husband's toolboxes.

I doubt that I surprised him, but I surprised myself for the list of materials that I have now collected to use for the painting. I even had to buy a few tools too, but that is just par for the course. And it lead me to add the electrical version to my birthday wishlist, because I can definitely see myself doing more of that stuff in the future.

Yeah, sorry about being vague, but rules are rules and giving away my ideas? Not today! 😉

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step J - planning (part 1: size of painting)

 

Thank you for visiting my blog today. If you are a return visitor, welcome back. I am delighted to see you again!

We now get to the planning stage of doing a painting for a competition like this one. The painting I did for the 2023 competition, was smaller than the original, about 60%. Sticking to the original size would have disqualified my entry because of size limitations set by the rules.

This year the painting I chose is much smaller. The old masters did not have standard sizes for the canvases which makes it necessary for me to adjust the size of the painting I am doing. I decided to scale up, to fit a panel that I already have. The original was also done with a different aspect ratio, which added to the challenge of scale.

Sometimes art requires doing a little math. I cut and mounted the panel in 2023 from scratch, but this year I decided to go with a store bought panel from my stash.

The new size? 66% larger than the original. Yeah, that engineering degree is useful at the weirdest of times. LOL!

More on that next time.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step I - designing the composition (part 2: incorporating a theme)

Designing a composition based on an existing painting, to incorporate another theme, or style, requires some planning. And artists plan visually – digging out sketchbooks is the next step.

    Thumbnails, ie small drawings or paintings, are typically used to flesh out ideas. I do my version of that. I have a small sketchbook, A5 landscape size, that I use for either experimenting with new ideas or mediums or exploring ideas for a composition. I prefer the smaller size sketchbook to limit myself from getting bogged down in the details. I love to draw, and doing thumbnails is for ideas, not final art, so I need to keep it small.

    Again, sharing is not possible, but here is an example of what I did, and also the final artwork that resulted.

Gouache painting

Sketchbook planning

   

   

Until tomorrow!

📚💜Linzé

A-to-Z blog challenge: Step H - designing the composition (part 1: what’s in a theme)

 

As mentioned in previous posts, the competition has a prescribed theme: take one of the paintings of the old masters and interpret it with an African theme.

I thought, hey, this is easy right? And was I in for a surprise. Unlike the Baroque or Renaissance era, or the Impressionism and Surrealism styles, there is no such thing as African themed art. Historical African art was created for practical applications, e.g. decorating a home, or for religious/spiritual items, e.g. masks. Art was not created for the sake of art. More modern art created by African artists is either considered social, or socio-political commentary. Or is just considered modern or Western art [1,2]. 

So how will it be possible to interpret a piece from an old master, in a theme that does not have a definition? Well, I would say you make your own definition. At least that is how I plan to do it. Will it work? I have no idea, but one thing I do know: it is going to be fun trying!

Until tomorrow!

🇿🇦💜Linzé

References:

1. The Art of Africa, Christa Clarke, The Metropolitan Museum of Art, 2006

2. https://www.britannica.com/art/African-art/Nigeria

A-to-Z blog challenge: Step G - choosing the masterpiece (part 3: ask a friend)

 

After hours of staring at my first choice of paintings on my screen, I narrowed it down to eight and then three. Then I had to pick one. Sure, I can paint more than one and then decide later, but my time is severely limited: a heavy workload, the final edits to do on my next novel, I am working on another two books, and a few more art projects including commissions. So, I had to commit and the sooner the better.

But I was stuck. I loved the final 3 I chose. So I “phoned” a friend. I belong to an art group of friends, and we have a group on a messaging app where we chat most days. I posted the 3 paintings to the group and asked for their input. I didn’t reveal the theme, nor the medium that I planned to use. (Note: the theme wasn’t made public yet at the time of writing this post. The administrators of the competition sent the theme via the email to invite me to take part again this year.)

They were kind enough to share their thoughts, and it helped me to decide on my final choice. Did I tell them which one I chose? No. Am I going to? No. This is a competition, and while I trust my friends not to share my project. By not revealing my choice, I effectively limit any influence their opinions might have on my artistic decisions, and this is no reflection on them.

Have I started painting yet? No, but stick around and I will tell you why the theme is not as easy as I thought it would be.

Until tomorrow!

🇿🇦💜Linzé

A-to-Z blog challenge: Step F - choosing the masterpiece (part 2: the shortlist)

When you see the paintings that made the final round of judging, and the winners of 2023, you will notice that they are all portraits, or figure paintings. So I thought that maybe I should do that. Problem is that I don't like painting people. This will also make it more difficult to find a painting of the old masters to use, because they don't speak to me.

But...then I found a few. Which surprised me, I have to say. So which one to choose? Which artist, style or period? Like many things with options, it seemed a good idea to make a list.

Strelitzia - coloured pencil
in my sketchbook

    Making a list of paintings, didn't seem right since I needed a visual list, not a written one. I went online and found images of the list of paintings that appealed to me, all styles, all themes, all subjects. I parked them next to each other on my second screen (which is larger than my laptop's) and stared at them.

     Did it help? Stick around to find out how I ended up choosing the painting.

    Until Monday!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step E - choosing the masterpiece (part 1: the artist)

 This competition has a theme, like most competitions do. And this year the theme is to take a painting from one of the masters and do it with an African theme. Or Baroque to braaivleis as the website says.

For my non-South African readers, braaivleis is Afrikaans for a BBQ, but it is the context that is relevant here, not the act of cooking, ie the theme is something (South) African. Weird, I know, but hey this is art, right?

This theme requires some out-of-the-box thinking, because the old masters painted their situations and their scenery ... think people, landscapes, and time period specific subjects. And there were many artists painting, or sculpting, in many styles. So where does one start?

For me it was “simple” - and I use those quote marks on purpose - because we have a lot of art books in the house. I just pulled out everything we have, and then spent some time with each artist and their work. Since I don't have formal art training, I was not familiar with some of the artists. But deciding on which piece, has to start with the artist. And it was difficult, because many of the art I saw appealed to me on both a visual and emotional level.

Let's say it was easier to decide which ones not to use, than finding which one to use. More about that next time.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step D - the fun rules

Since the competition is advertised on social media, ie Instagram, it goes without saying that some social media interaction is allowed. Blog posts like the ones I am sharing this month, where I share my process, but not the details, are allowed.

And so is sharing the details of the competition from the gallery to get the word out for more artists to take part. So yeah, please feel free to share my posts, but also check out the website and Instagram account of the gallery, for more information. Share with a friend, because they may not yet know about the competition.

Until tomorrow!

🇿🇦💜Linzé

 

A-to-Z blog challenge: Step C - early bird registration

 

Yes, I love a good deal as much as the next person, so when the AGAC2024 competition administrator mentioned a discount for early bird registration, I was all over it. The registration fee is more than just reasonable to be honest, but if you love buying art supplies (and who doesn't 😉) saving a few rands will be well spent on the next tube of paint for sure. LOL!

    It is not just about saving a few rands, but by registering I am committing my time and energy to see this project through.

    I haven't shared any art work yet, so here is one I did that starts with the letter C. It is a graphite drawing in my sketchbook for a challenge in the Artkula group.

Coffee grinder in graphite on ivory paper

Keep an eye out for a few more during the challenge.

Until tomorrow!

🇿🇦💜Linzé

A-to-Z blog challenge: Step B - the rules...what not to do

No one likes rules, so much, but entering any competition forces you to comply to the rules if you want to stand a chance of winning. Art competitions are no different.

Aside from complying with the requirements for size of the artwork, any medium restrictions, there are rules for the submission itself, and limitations on social media sharing. The last one should be the first rule any participant would comply with, because no one would want their work or their ideas at least to be copied. Crying after the fact because someone stole your idea, will not endear you to the judges.

This competition, AGAC2024, is no different in these aspects. As artists we like to share the projects we are working on - some for business, the rest of us just for fun and sharing our experiences of making art.

So if you are entering any competition, make sure to read the rules because it would be really stupid to be disqualified because of something you could have avoided.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step A - setting the tone

 

     As mentioned in the theme reveal, my posts will be my planning steps for the AGAC2024 art competition. This post explains what my posts will contain for this blog challenge.

     Since these posts are about an art competition, there are some things that I may or may not do, including not actually showing what I am painting. I will use some of my artwork to explain my thoughts, but the actual submission may not be shown until the competition's organisers allow it.

     I will talk about the rules and how they influence my planning. As a past entrant, I was invited to participate again, so I already know the theme for the competition this year. This means that some of the things I will post about are already done, while others will only sometimes follow the order of the posts.

     I also keep track of the time I spend as part of my daily life. Since I am self-employed, some of the work I do requires keeping track of time because it affects the invoice to the client. As I already have the application on my computer, I thought I would also use it for art projects. It provides a lot of insight when I quote for commission work, which I know many artists struggle with. If you are interested, the app is called Daily, and the link will take you to the Apple App Store.

     Lastly, if you are a South African artist, definitely consider taking part. I don't participate for any other reason than having fun and learning a lot while continuously improving my skills.

Come on, you are not too young nor too old to take part -> details.

Until tomorrow!

🇿🇦💜Linzé

Theme reveal: My A-to-Z blog challenge 2024

 

It's been a while since I have taken part in the blog challenge. The problem is always coming up with new ideas so it isn't boring to me. This year I decided to change things up a bit, and it has the added benefit of blogging about something I will be doing this year: taking part in another art competition.

I took part in the AGAC (ARTi  Contemporary Art Gallery & Interiors) in 2023, and decided to take part again this year. Given the style and theme requirements of the competition, there is some significant planning involved in creating the artwork, at least for me. So why not use the blog challenge to share my process and some of the behind-the-scenes work involved in creating art for a competition.

This is going to be a lot of fun, I promise.

Oh, I forgot to mention that I won't be using the letters of the alphabet as a key, it will simply be a list of 26 items. Apologies if that is not according to the rules of the blog challenge, but hey, this my blog and I can do what I want, right? 😂

Until April!

🇿🇦💜 Linzé

What happened to my ideas in 2023 - part 2

 The good, the bad and the delayed (Part 2 of 3)

Last week I mentioned that I went through my journal of 2023 and found 44 ideas I had - to write, paint or draw, or generally improve my creative life. This week I want to tell you what happened to those ideas.

Some ideas happen when I am playing in a
sketchbook. I used gouache for this one.

I am sure that you are like me, hoping that every idea we have will be a great one, but reality tells a different story. Some ideas should be discarded, others tried out to see if they could lead somewhere, and then there are the ideas for which the time is simply not right. And this last group of ideas can sometimes make us impatient even though we know full well that bad timing can be as bad as a terrible decision.

From my list of ideas, the business ideas definitely fell into this last category. There are things I have to do first before I can implement these ideas, so they are on a future to-do list.

I also found an idea I wrote down without adding any details of what I had in mind. Why I did that escapes me, so that one is a bust. That will teach me. LOL!

As for the rest:

* Three ideas were not used. These were for art projects that I did finish, but I didn't use the idea I wrote down in my journal.

* Twenty-three ideas were implemented. These were a mix of art and writing. That makes it 52% of the list, and not bad I would say.

* The remaining 17 ideas ended up as follows: 

- For future implementation: 5

- Rethink (maybe not such good ideas?): 6

- On my todo list right now (for doing in the next 4 to 8 weeks): 6

In Part 3 I will expand more on how I handle future todo's and share a few thoughts for capturing those journal ideas in 2024.

Until next time!

💜🇿🇦 Linzé

What happened to my ideas in 2023 - part 1

There were more ideas than I thought (Part 1 of 3)

Over the years I have found that ideas for creative projects often happened while I was writing down my thoughts in my journal. If I didn't do something with the ideas, they were “lost” because I don't read past entries in my journals.

This year I had a plan: I would mark the idea in the text with a symbol (I chose a smiley face) and also record the page numbers in front of my journal so I could find them later on.

The inside cover pages of my 2023 journal

Most of the time ideas related to a book I was busy with were incorporated into the story within a few days because they were part of a story close to finishing. But they were not the only ideas. Then I had a brainwave: maybe I should check out my list and see what happened to these ideas I had this year.

A few surprises popped up:

1. There were more smiley faces than I had page numbers on my list. This meant that I was so into the flow of writing down the idea that I forgot to add the page number to my list.

2. While working throught the list, I also found ideas where I didn't add a smily face. Since I mentioned that I don't reread my journals, how could I know there were more ideas? The names of characters caught my eye. Since I don't use the names of actual people I know in my stories, it wasn't hard to figure out that I was “thinking” about a scene in a book.

3. I even had a few ideas related to my business. The ideas themselves didn't surprise me, but that they came to me while I was writing about non-business things was the surprise.

I am not going to give away my ideas, but I thought to summarise the number and types of ideas I had.

1. Book ideas - ideas for a new story: 3

2. Book ideas - ideas for scenes in stories already in process: 14

3. Books - cover ideas: 3

4. Art ideas for new/finishing paintings: 9

5. Art ideas for experimenting: 3

6. Art practice ideas to learn/master a new skill or technique: 2

7. Writing/journal organising ideas: 3

8. Organising ideas - studio and home office: 1

9. Bookbinding and other book art/craft ideas: 1

10. Business ideas: 2

11. Other: 3

TOTAL: 44 😳

In Part 2 I will expand on what happened with these ideas.

Until next time!

💜🇿🇦Linzé

The CreativeLife in review - reading, painting, and coffee

 Hello Creative Friend!

    This week's post is truly a mix of stuff, and I am sure that you are well aware that life happens the way it does, and all we can do sometimes is to go with the flow. I had that experience the past few weeks, and several days it was not easy to cope with. That is what coffee is for, right? We deal as best we can in the best way we can.

🇿🇦 💜 🇿🇦

I am reading Life by Julian Baggini & Antonia Macaro

Once you have developed the capacity to be stimulated by your own

thoughts, experiences and reflections, you will never be bored and life will

never be without interest. The inner life is thus a source of remarkable self sufficiency. 

You learn that your happiness need not depend as much on

others as you might have believed, and you might find yourself thinking, as

Rousseau did, that ‘These hours of solitude and meditation are the only ones in the day when I am completely myself and my own master.’ 

~ Life by Julian Baggini & Antonia Macaro 

🇿🇦 💜 🇿🇦

    To be honest, I had so much coffee that I had to stock up earlier in the month than usual. But that's life.

    The 2nd week of the exhibition starts on Wednesday, so if you're interested you can find the details here. Entrance is free, but booking a ticket is helpful for the gallery to manage the numbers.

    With the end of the month coming up, I had two paintings to finish. They are part of the Artkula challenge for May 2023. I was hesitant with both because I don't like painting portraits (the Photo Challenge) nor do I like repainting the same image (the Themed Challenge). While neither will win any awards, I learned a few things along the way which to my mind is what taking part in these challenge are the most important thing.

🇿🇦 💜 Learning on YouTube this week - sketching with ink to improve my skills 💜 🇿🇦

   The next few weeks will be interesting work wise since I have two vastly different products to test. One of them is a whole system which we tackle in parts, and it is going to be a challenge. I love a challenge so I am looking forward to that one.

   In our art group we are busy do a drawing with charcoal. It is our second drawing of Big Ben as part of the buildings, and architecture does add some challenging details to the project. Despite the mess, I am enjoying it. With the paintings done, I will probably spend the rest of the day working on the charcoal project. After making myself a cup of coffee that is. 😏

Wishing you a creative week.

Until next time!

🇿🇦 💜 Linzé

PS: Keep an eye out for the next book feature - it might scare your pants off! 😁