A to Z Challenge: Day 21 - U

UMBRELLA by Linzé

I did this all ink umbrella frame for a miniature art exhibition last year. It is a card 7 x 7 cm made from fine art paper with its own envelope.

A to Z Challenge: Day 20 - T

TIME by Linzé

My next art journal entry in my Stoicism series this year of #JournalArt2020. It was done with Faber-Castell Polychromos pencils and a Faber-Castell PITT marker for the text. The size of the leaf is 100% since I picked up the leaf and then traced it directly on the journal's pages before colouring it.

A to Z Challenge: Day 19 - S

Shilpa Suraj on Love, Marriage, and Other Disasters

(a guest post)

‘Divorced,’ ‘Ice Queen,’ ‘Snob,’ ‘Homewrecker,’ ‘Damaged’ – These are just some of the labels applied to Alisha, the heroine of Love, Marriage, and Other Disasters. Whether they are deserved, true or even just required, labels are less about who the person truly is and more about how people wish to slot them.

When I was growing up, relatives would often tell my parents to stop giving me ‘ideas.’ Because a girl having actual ideas would be the worst thing in the world, wouldn’t it? And my parents telling me that I could study as much as I want and grow up to be whoever and whatever I want were the worst possible ideas they could give me.

What society called giving me ideas, my parents called allowing me to dream. To reach higher, to aim further and to aspire for the world, if that’s what I wanted. No matter how far fetched my goal, their answer to every ambition I espoused was ‘Why not?’ 

And so, I grew up without worrying about societal prejudices and familial judgements. Unfortunately, I also grew up. And when you step out of the comfortable cocoon of your childhood and your parents home, you realise just how difficult it is to escape, to ignore or to deny the rest of the world’s opinion on you and how you should live your life. 

Difficult but not impossible. And that’s why I faced the world with the same bravado that Alisha does in Love, Marriage, and Other Disasters. For when your loved ones have your back, it’s easy to face forward with confidence. 

When my protagonist, Alisha, walks out on an abusive relationship, she doesn’t feel the need to justify her decisions to the world. And for that, she is labeled arrogant, snooty and in the eyes of men ‘available.’ 

Labels – Not true, not required, not deserved. 

If only, we could learn to be humans first, to view others as humans first. People often say, “Children are a blank slate. It’s what the world writes on them that then defines who they become.”

I think it’s true of each one of us. We are a blank slate. And we should write our own stories. Not the stories that the others would like us to script. 

Just like Alisha eventually did. It’s only then that we truly own our happy-ever-afters.

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A to Z Challenge: Day 18 - R

Red by Linzé

My first colour drawing for the Intober52 challenge was a bit of a fluke - I didn't want to draw something similar that I have been drawing since the start of the challenge in January. In April the prompts are colours because of a sponsor of the event, and the illuminated letters were born. I have always loved old books and these really old books were copied and decorated by hand.
   So I have continued with the theme of the illuminated letters for both RED and BLUE. They are both featured here today for the letter R in the #AtoZChallenge.

A to Z Challenge: Day 17 - Q

QUIRKY bird by Linzé

I did an online Sketchbook Workshop while in isolation and one of the lessons was this quirky bird. The artist/presenter of this lesson was Tamara Laporte (https://www.willowing.org). I loved the concept and shared it with the artists in my writers' group who also made their own quirky birds. But here is mine. Enjoy! 💜

PS: Thank you for visiting my blog today. I love reading your comments, but I am still having difficulties replying. I do apologise and hope I can get this sorted out very soon. 💜 Linzé

A to Z Challenge: Day 16 - P

POT by Linzé

One day I was itching to draw something a little more challenging, so I decided to compose a still life. I photographed the greyish pot standing on a draped piece of black fabric I found in Francois' studio. I used my phone to capture the still life.

It was done with Faber-Castell Polychromos pencils on black paper.

A to Z Challenge: Day 15 - O

Oryx by Linzé

A drawing I did a while back - white pencil on black paper. The photograph was taken by an ex-colleague who kindly gave his permission for me to use it.