Interrogation of Linzé Brandon - Part 2

(Continue interview with Prime Suspect in the Case of the Novelist) 

Date 3.14.B

“Was it Géra’s Gift?’

I had to smile. “Yes and no. My first stories could probably be considered novellas, but Géra’s Gift is definitely the first full length novel that I wrote.”

“He is a bit young for you, don’t you think? Sure he is gorgeous, smart and ...”

“Are you nuts? Géra Ville is a character in the book. Yes, he is young, but it is his story. I just wrote it.”

Jessica waved her hand. “And the title?”

I shrugged. “It changed a few times. The final title - Géra’s Gift - just felt right, so it stayed.”

She nodded. “So what is this gift?”

I waved a finger at her. “Oh no, not answering that.”

She arched an eyebrow, but did not reply to that. Instead she looked down at the tablet and then back to me. “What is a Grandmaster?”

I organised my thoughts for a few moments before replying. “The Grandmaster is the leader of the magician’s order. The book introduces the Nations of Peace to the reader. Each nation that has magicians and an order, has a Grandmaster that leads them. He or she is not a leader of the nation, for that they have presidents and kings like we do. You know, elected officials or successors to a throne by some predetermined bloodline or something.

The Grandmaster is usually a warrior magician, but not always. In one of the books in the series the Grandmaster is a scholar, not a warrior.”

The eyebrow again. “So there is a series?”

I nodded. “Yes. The series has five sub-series within it: The Grandmasters, The Dragon Masters, The Future Masters, The Strike Masters and The Council of High Lords. The next book, that I am busy doing final editing on, is the first of the Dragon Masters, its called Keeper of the Dragon Sword. And if all goes to plan, it will be released by the end of the year or very early next year.”

“The High Lords, why not some Masters thing again?”

I shrugged. “The High Lords don’t feel like Masters. They don’t need or become Masters like the other books. They are the High Lords, they are who they are. The High Lords also tend to lean more towards the erotica genre, although I wouldn’t call it that exactly.”

She consulted her tablet again. “So the sub-series do not follow one series at a time?”

“No, although it might have started that way, it didn’t turn out that way. The books each stand on its own two feet, but if you want to follow the story in the ‘bigger picture’ so to speak, you have to read them in the order that they are published.”

She looked thoughtful for a moment, then held up her arm showing me her AI screen. “Any more stories like mine?”

Now I laughed. “No, you are completely unique.”

(Interrogation to be concluded next week)

Interrogation of Linzé Brandon - Part 1

Sunn City Police Headquarters: Interrogation Room #2

Date: 3.14.A MoonZone 1

Interviewer: Detective J Stone

Interviewee: Linzé Brandon               Status: Prime Suspect in the Case of the Novelist

I was escorted into the room and told to sit in the chair on the far side of the table. I sat, and watched the door close, leaving me alone. The room looked like they do on cop shows. Drab. Bare. One table. Two chairs. The mirror-like window flanking the wall facing me. I wondered who was on the other side scrutinizing me.

I have to confess that I was nervous. I have never been interviewed before, by the police no less.

The door opened again.

“I am Detective Jessica Stone,” she said, taking the chair opposite me.

The silver haired detective had startling blue eyes that seemed to miss nothing. She didn’t ask my name, and I didn’t offer it. My nerves didn’t quite settle down.

The blue screen in her left wrist flashed as she moved her hand. It was doubly disconcerting given the fact that this young woman was a character of my own making. I didn’t know what to make of her brusque manner. Did I create her like that? Then again, does one really know the characters that we create in the stories we write, the tales we weave?

She flipped a file on the tablet in front of her, then looked straight at me. Did I just squirm in my seat? Surely not. What did I have to hide?

“What the hell were you thinking?”

I blinked, and wet my dry mouth. “Excuse me?”

She pointed to the tablet on the table between us. It displayed a picture of the cover of my first novel, Géra’s Gift.

“You are an engineer and a project manager. What possessed you to think that you could write? And a romance novel no less?”

I wanted to remain serious, really I did. I was being interrogated after all. But I couldn’t help the pleasure that infused my expression. I could talk about my books and writing forever and a day.

“Why not?" I managed in a relatively normal sounding voice. "I have always loved books. I read them. Many of the ones I own I have read many times. I also collect first editions, when I can afford it, of course. Then someday I had an idea to try and write my own book.”

(Interview to be continued 8 July 2012)

Abstract: The Story or the Hype?

By the time your book is finished and almost ready for publication, the publisher (and sometimes even the cover designer) will want to have the abstract for the back cover of your novel. We all know that it is the cover of the book that makes someone pick it up from all the others on the bookshelf - even an ebook bookshelf. The decision to buy then rests on the abstract of the book printed on the back, or the inside of the dust cover.

Unless you are a famous best-selling author, it is those few words that will convince a potential reader to buy your book. Those 100 to 150 words that could say so much, and yet can also be construed as just a load of hype. Where do you draw the line?

As with the first chapter, you want to hook your reader into reading the next chapter, and the next. The same applies to the abstract: you want to grab the attention of a potential reader, and yet you shouldn’t give away the whole plot.

Of course, with a romance novel, a happy ending is expected, but the abstract should entice the reader to take the journey with your hero (or heroine) on his quest to win the fight, and the heart of his true love. In a mystery novel, the sense of the unexpected remains the ultimate thrill on this ride to finding whodunnit.

The abstract of Keeper of the Dragon Sword has a long way to go still, and that selection of words will require some fine tuning to make sure that just the right balance can be found to tell the story, and yet not give away Elizabeth's battle to be the Dragon Master.

Keeper of the Dragon Sword: Cover Proposals

I was given the above three options as the cover design for Keeper of the Dragon Sword. When I show this to friends, the majority prefer the design on the right, while some also like the design on the left. My personal choice is the the right hand design as well. The design is not yet final, but I think it is almost perfect as is.

The final images are still to be uploaded by the designer, before it can be used. The photograph of the sword was taken by Francois Venter. 

The sword belongs to a friend who had generously lent it to me for the cover of this book. His blades will definitely make the cover of other books in the series as well.

Editing and Rewrites

Finishing Keeper of the Dragon Sword is not going to plan. If it did, I would have been finished by now. The cover design is getting there (looking great actually) and only a few tweaks here and there, and it will be done. I wish I could say the same of the contents.

The hold-up is me of course. The editing is more than just fixing a few spelling mistakes, and language errors. In chapter 4 there is a mating scene in the original text that never quite worked. The writing is fine and the scene is fine, but it did not fit the plot, not so early in the story at least. Moving it to a later time slot won't have the same impact on the story, so I needed to change it. Change the whole thing.

The two dragons did need to meet. The sexual tension needed to be established, but an actual mating did not quite fit. Not yet.

The editing will hopefully now proceed with more enthusiasm, as that scene is now sorted and my mind can move on to the next. It might need another edit, but in terms of the plot, it works much better now. There is another scene rewrite coming, and this one will be a touch more difficult. Writing a sex scene can be a challenge. Writing, or rather rewriting, the first sexual encounter between two people after they were involved in a violent sexual ritual, now that is not going to be easy.

But I am getting ahead of myself. Before I even can get to that problem scene, I need to finish editing chapters 5 to 8 first. Progress is on the cards this week.

Keeper of the Dragon Sword - a first peek

The cover design is not progressing as well as I had hoped, but that is entirely my own fault - not the designer's. I have been spending time on the final editing though, and here is a sneak preview of a part of the opening scene in Chapter 1.

Slowly she opened her eyes, and again the shock was almost too much. She must have imagined it. Probably too much stress. This time however, she managed not to faint.
“Hey,” the ghost of her past said softly.
She tried to sit up, but her arms and legs felt too weak to do as her brain commanded. She gave up and laid back down.
“Randall Storm?” she asked in a shaking voice.
“Hello, Elizabeth,” he said in that husky voice she used to love so much.
Elizabeth looked up at the man quietly watching her. Physically he was bigger than she remembered, his shoulders broad and the light jacket he wore could not hide the power in his arms and upper body. Quietness and maturity surrounded him, and she sensed a tremendous strength in him. She also sensed something more, but could not identify it. His blue eyes were his most potent physical asset, and she always felt that he could look into her soul when he looked at her, like now.
She moved to get up from the bed. “Why are you here? And why are we in ... this bedroom?”
“This is your mate's room?” It was decorated in shades of cream and brown, but it looked empty.
"Yes."
Once on her feet, she still felt dizzy. It's been hours since she last ate, no wonder her legs were weak. She stumbled, and he easily lifted her into his arms. Without thinking, she put her arms around his neck for support. They left the bedroom and he took her back to the main room where he gently put her back on the couch where she had been sitting when he arrived.
He sat down on the table in front of her and took her hands in his. The simple gesture filled her with dread.
“I have some bad news."

Bleeding for my next Book Cover

With the final editing of Keeper of the Dragon Sword still underway, I was fortunate enough to win the cover design of the book from JD Smith, a professional designer.

The picture is a photograph of my hand holding a very sharp Japanese sword. The blood is not real, just a trick the photographer, Francois Venter, employed to make it look like my hand was cut.

This is not the picture for the cover, I will keep that for a suprise for now, but it is exciting to see the words in the book come to life on the cover.

I have often read books where simple things described in the text where captured in graphic detail on the cover, and that makes the final packaging of even my books a lot of fun.