A-to-Z blog challenge: Step T - non-painting tasks (part 3: assess, record, and update)

Staring at the painting is not very productive, although it is important to do so. To make the effort useful, it is time to make notes. Using my sketchbook with the original thumbnails and planning, I can make notes with words or drawings, on the things I am seeing that need adjustment. It not the time to do the work. It is the time to think about the things that needs to be fixed or changed. Make the notes and they will not be forgotten.

It is also useful to take a picture with my phone, print it out and stick it into the sketchbook as part of the assessment process.

Now the notes and thoughts are recorded, it is time to step away altogether. Do something else like read a book, because my brain needs the time to assimilate the painting. But before I read that book, it is time to have a look at the planning.

The competition runs from 1 April to 30 September. My plan is to start work on the painting on 1 June. It will give me four months to do the work, but more importantly, it gives me time to make sure that other tasks, like the final editing of my next novel, will have my focus for May. April is for writing, so I am focusing on that. Focus is important because it helps to get things done more efficiently.

So updating the planning after that first steps of painting will then happen to make sure that I will make that deadline without adding more stress to my life.

I am sure your life is as busy as mine, and if you struggle with managing the tasks taking up the hours of your day, I can recommend a new book by Cal Newport, Slow Productivity.

And a planning method called, The Twelve Week Year by Brian P. Moran and Michael Lennington, is definitely also worth looking at.

In the next post I will get back to the action steps for the painting.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step S - non-painting tasks (part 2: doing art by doing nothing)

 

Doing nothing when creating a painting really comes down to taking a step back and assessing the work done. Being enthusiastic about a project is a good thing, but sometimes, taking a moment can prove to be a very important step.

Painting is a close-up process. I stand at the easel, my hand probably resting on the panel while painting or adding mixed media elements to the surface. Being so close means that I cannot see the whole. The rule of thumb is to stand back at least three times the distance of the largest dimension of the artwork to see the whole.

Small pieces are easy; you can simply take one step and see the whole, but painting anything over 50cm will require some more distance.

Not looking at the painting for a day and then coming in and assessing it at that three-times distance will provide information not always easy to spot from close proximity while painting.

What do I see when I stand back?

- do the colours blend as I want them to

- are all the elements in the composition in the right place

- is there enough contrast

- do the mixed media elements provide the impact I want

- and more

When viewing the painting from a distance, you can see a multitude of details, which can tell you a lot about it.

What to do next? Please stick around for the next post.

Until tomorrow!

🇿🇦💜 Linzé

 

A-to-Z blog challenge: Step R - non-painting tasks (part 1: taking a break)

 

At this point during the process you might think that I would be in a hurry to finish. Unless I am behind schedule, this would actually be a good time to take a break. Take a breath. Even with limited time, doing a large art project does take a lot from me.

With so many things on my plate, taking a breather is not just a good idea, it is essential for my physical and mental health.

At this point in April, I am already deep into writing the first draft of my next novel. My painting will not be at the same stage as what I am relaying here in these posts, mostly because the deadline is still a few months in the future.

However, I have another novel scheduled for release later in the year, making the coming months just as busy from a creative perspective. A new novel requires marketing too and all of these tasks require time, which means planning. And that includes taking breaks: from painting, writing and work.

But taking a painting break does not mean doing nothing. More on that in the next post.

Until Monday!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step Q - action steps (part 4: preparing mixed media elements)

 

Slapping paint on a panel is fun, but adding non-traditional mixed media elements allows me to really let the creative juices flow.

Because of all the planning done beforehand, this is the time to pull out the tools, brushes, paints, stamps, and stencils and do the work. Preparing these elements can take hours or days and should not be rushed.

If I am not sure that my choice of colour or technique achieves the goal of the composition, I will prepare a second one. The leftover item will not be wasted whether I use the original idea or the alternative.

Adhesion of these items can be a challenge. Many materials like paper can be stuck to the panel with gel medium. Other items may need glue or even nails. All of the aspects involving materials not typically found in an art store have their own challenges that I have to take into account during both the planning and execution stages of the painting.

When these items are finished, or mostly finished, I tape them to the panel in their respective positions. Then, it's time to take a break.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step P - action steps (part 3: painting the first layer of colour)

In the painting shown here, I painted the background first covering the whole surface with a buff titanium (tan) colour, starting in the middle and progressively making it darker toward the edges.

Oil on paper

Then came the large coloured areas of the wine, before adding the details of the highlights, shadows and glasses. This was done with oil paint on paper as a group project for my art group.

For the competition I will basically do the same. Paint the background first in the shades of colour I need from light to dark. I find it easier to go darker with a colour, so I always start with the lighter tones. If I paint over my outline, that is okay, since I keep my paper “stencil” until the painting is completely finished before disposing of it.

Large areas of other colours can also be painted. If there are contrasting colours, or complementary colours, I will wait until the first colour is dry before painting the second colour to prevent any muddy areas.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step O - action steps (part 2: outline)

 I am now ready to start on the painting. If I want a dark background, I paint it and then use chalk to draw the outline. If I want a light background, I will use a graphite pencil, usually 2B, to draw the outline.

The outline itself can be tricky because the painting is based on another painting. Since my competition painting surface is larger than the original, I taped several sheets of drawing paper together and trimmed it to the same size as the panel.

Using the thumbnails (See Step I) and tools like a compass or ruler, I draw my design on the taped sheet of paper. This will give me a better feel for the design, and this is also the time to make any adjustments I need for the new size.

Once I am happy with the design, I often cut out the elements without destroying the paper. This means that circles or other shapes can then be used to make, cut, design, or fit the mixed media elements before adhering them to the painted surface of the panel.

The remaining design is then traced like a stencil onto the panel with chalk or a pencil. I trust my “drawing brain” and will then redraw freeform shapes and subjects or tweak them as part of the transfer to the panel.

Until tomorrow!

🇿🇦💜 Linzé

A-to-Z blog challenge: Step N - action steps (part 1: surface preparation)

 

Since I paint on wood rather than canvas, there are a few steps before I can start the actual painting.

Wood is a natural product, so it must be sealed before applying any paint. You can paint directly on some wooden surfaces. Still, it is better for mixed media work to first seal the surface with a suitable sealant.

Depending on the wood and sealant, it might be necessary to sand each layer before adding the next. I typically don't sand between the layers since a slightly rough texture adds character to the final painting.

I typically seal the painting surfaces (front and sides) with two layers of sealant and the back surfaces (mounting structure included) with one layer. This helps to protect the wood since I use a sealant suited for indoor and outdoor use.

Next is one to two layers of gesso. The number of layers and type or texture of the gesso I use depends on the painting I want to create. Textured gesso will also contribute to a more textured surface. Canvas is textured, while wood is smooth.

Painting on wood gives me more options, although pre-stretched canvas is already primed and ready for painting. The more rigid surface also lends itself to a broader range of techniques and mixed media options.

The weight of a wooden canvas is often considered a drawback, but unless the painting is really big, the weight is usually not a problem.

Until tomorrow!

🇿🇦💜 Linzé